| The Black Broadway voice: calls and responses M Asare Studies in Musical Theatre 14 (3), 343-359, 2020 | 6 | 2020 |
| Vocal Colour in Blue: E arly Twentieth-Century Black Women Singers as Broadway’s Voice Teachers M Asare Performance Matters 6 (2), 52-66, 2020 | 6 | 2020 |
| Divided by a common language: Musical theater and popular music studies J Johnson, M Asare, A Coddington, D Goldmark, R Knapp, O Wang, ... Journal of Popular Music Studies 31 (4), 32-50, 2019 | 6 | 2019 |
| What Do We Do with the Musical Theatre Canon? S Wolf, M Asare, R Berman, R Eng, EM Glover, D Savran, G Stitt, ... Troubling Traditions, 201-216, 2021 | 4 | 2021 |
| MT/D, or change: An anti-racist musical theatre reading group D Galella, M Asare, J Ealey, SAJ, HW Kim, MD Morrison, F Moten, ... Studies in Musical Theatre 16 (1), 53-76, 2022 | 1 | 2022 |
| BLUES MAMAS AND BROADWAY BELTERS: Black Women, Voice, and the Musical Stage M ASARE DUKE University Press, 2024 | | 2024 |
| Sondheim’s vamps and Africanist musical practice M Asare Studies in Musical Theatre 17 (3), 157-165, 2023 | | 2023 |
| The Singing Voice M Asare The Routledge Companion to Musical Theatre, 54-67, 2022 | | 2022 |
| The Enduring Relevance of Show Boat M Asare, T Decker Rodgers and Hammerstein Organization Website, https://rodgersandhammerstein …, 2022 | | 2022 |
| Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. By Daphne A. Brooks. Cambridge, MA: Harvard University Press, 2021; 608 pp.; illustrations. $39 … M Asare TDR 66 (3), 166-167, 2022 | | 2022 |
| Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson, and: Multivocality: Singing on the Borders of Identity by Katherine Meizel, and: The … M Asare TDR: The Drama Review 65 (3), 174-177, 2021 | | 2021 |
