| Quantifying the ineffable? The University of Sydney’s 2014 guidelines for non-traditional research outputs L Barwick, J Toltz Perspectives on Artistic Research in Music 1, 244, 2017 | 13* | 2017 |
| Music: An Active Tool of Deception?: The Case of'Brundibar'in Terezin J Toltz Context: Journal of Music Research, 43-50, 2004 | 12 | 2004 |
| Dragged into the dance’: The role of Kraftwerk in the development of electro-funk J Toltz Kraftwerk: Music Non-Stop, 181-193, 2011 | 10 | 2011 |
| Hidden testimony: musical experience and memory in Jewish Holocaust survivors J Toltz University of Sydney, 2009 | 5 | 2009 |
| Out of the Depths: Complexity, Subjectivity and Materiality in the Earliest Accounts of Holocaust Song-Making J Toltz, A Boucher East European Jewish Affairs 48 (3), 309-330, 2018 | 4 | 2018 |
| Loss, trials and compassion: The music of Australia’s Jewish refugees.’ J Toltz The Conversation 31, 2017 | 2 | 2017 |
| Quantifying the Ineffable? L Barwick, J Toltz Perspectives on Artistic Research in Music, 67, 2017 | 2 | 2017 |
| Listening to Ethnographic Holocaust Musical Testimony through the 'ears' of Jean-Luc Nancy J Toltz Music's Immanent Future: The Deleuzian Turn in Music Studies, 188-197, 2016 | 2 | 2016 |
| Music and memory at liberation J Toltz Southerly 76 (1), 16-31, 2016 | 2 | 2016 |
| Transcendent innocence: Red-Riding-Hood redeemed? J Toltz Creative Research in Music: Informed Practice, Innovation and Transcendence …, 2021 | 1 | 2021 |
| Ethnography and the empathic imperative: Negotiating histories in the Sydney Brundibár Project J Toltz Studies in Musical Theatre 14 (1), 23-36, 2020 | 1 | 2020 |
| 'My Song, You Are My Strength': Personal Repertoires of Polish and Yiddish Songs of Young Survivors of the Łódź Ghetto JD Toltz Polin Studies in Polish Jewry 32 (1), 393-410, 2020 | 1 | 2020 |
| ‘Se non ora, quando?’The Hidden Musical Testimony of Holocaust Survivors in Australia J Toltz Holocaust Studies 16 (3), 135-155, 2010 | 1 | 2010 |
| 429 Postcustodialism in the Jewish Music Archive J Toltz The Oxford Handbook of Jewish Music Studies, 429-446, 2023 | | 2023 |
| Postcustodialism in the Jewish Music Archive J Toltz | | 2023 |
| Singing Up the Past and Stompin’with the Prinz: Jaroslav Ježek and the Music of Prinz Bettliegend J Toltz, K Hunt A Holocaust Cabaret, 32-51, 2023 | | 2023 |
| Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884-1914 J Toltz Musica Judaica 23, 218-221, 2021 | | 2021 |
| Or Haganuz: Gems of Ashkenazi Hazzanut and Yiddish Songs Revived J Toltz Asian Music 50 (2), 167-170, 2019 | | 2019 |
| The Vanished Musicians: Jewish Refugees in Australia J Toltz Musicology Australia 39 (1), 67-71, 2017 | | 2017 |
| Listening to ethnographic Holocaust musical testimony through Jean-Luc Nancy J Toltz | | 2016 |
Linda BarwickEmeritus Professor, Sydney Conservatorium of Music, University of SydneyVerified email at sydney.edu.au
