| The grain of the digital audio workstation M Terren Edith Cowan University, 2019 | 5 | 2019 |
| The possibilities of a line: Marking the glissando in music C Hope, M Terren Anglia Ruskin University, Cambridge, UK, 2016 | 5 | 2016 |
| Plug-in Capitalism M Terren Bellona Magazine, 2021 | 3 | 2021 |
| Fake It ‘Til You Make It: The Virtual Orchestra in New Electronic Music M Terren Sound Scripts 6 (1), 7, 2019 | 3 | 2019 |
| Between the real and the imaginary: ecostructural approaches to composing with field recordings and acoustic instruments L Vickery, M Terren, S Gillies, J Myburgh Annual Conference of the Australasian Computer Music Association: Sonic …, 2016 | 3 | 2016 |
| The Expressive Subject: Prosumers, Virtuosi, and Digital Musical Control M Terren Creative Tools and the Softwarization of Cultural Production, 135-154, 2024 | | 2024 |
| Introduction: Refiguring the Digital Tools of Cultural Production F Lesage, M Terren Creative Tools and the Softwarization of Cultural Production, 1-20, 2024 | | 2024 |
| Creative Tools and the Softwarization of Cultural Production F Lesage, M Terren | | 2024 |
| The hegemony of the DAW M Terren Disclaimer, 2021 | | 2021 |
| GreyWing-Artificial field (live recording) L Vickery, M Burtner, M Terren, V Tomlinson, R Burge, R Erikson Lindsay Vickery, 2018 | | 2018 |
| Siliceous: speculative mimesis and the grain of the digital audio workstation M Terren Australasian Computer Music Association, 2018 | | 2018 |
| Boxy music: Sounding out the conceptual space of in-the-box music practice M Terren DIT Conservatory of Music and Drama, the Dublin School of Creative Arts and …, 2017 | | 2017 |
| Map-Making Towards An Onto-Cartography Of The Digital Audio Workstation CA Hope, M Terren Proceedings of the Australasian Computer Music Association Conference, 112-118, 2015 | | 2015 |
| Exploring the mediality of live and studio composition: The case of computer music, and its implications in “Ambivalence of Density” M Terren Edith Cowan University, 2014 | | 2014 |
Cat HopeProfessor of Music, Sir Zelman Cowen School of Music and Performance, Monash UniversityVerified email at monash.edu
