| Transitional tastes: Teen girls and genre in the critical reception of Twilight L Bode Continuum 24 (5), 707-719, 2010 | 85 | 2010 |
| No longer themselves? Framing digitally enabled posthumous" performance" L Bode Cinema Journal, 46-70, 2010 | 51 | 2010 |
| Making believe: Screen performance and special effects in popular cinema L Bode Rutgers University Press, 2017 | 41 | 2017 |
| From shadow citizens to Teflon stars: Reception of the transfiguring effects of new moving image technologies L Bode Animation 1 (2), 173-189, 2006 | 32 | 2006 |
| Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of reception L Bode Convergence 27 (4), 919-934, 2021 | 27 | 2021 |
| The digital face and deepfakes on screen L Bode, D Lees, D Golding Convergence 27 (4), 849-854, 2021 | 11 | 2021 |
| Fleshing it out: Prosthetic makeup effects, motion capture and the reception of performance L Bode British Film Institute, Palgrave Macmillan, 2015 | 11 | 2015 |
| “It's a Fake!”: Early and Late Incredulous Viewers, Trick Effects, and CGI L Bode Film History 30 (4), 1-21, 2018 | 10 | 2018 |
| ‘Grave Robbing’or ‘Career Comeback’? On the Digital Resurrection of Dead Screen Stars L Bode History of Stardom Reconsidered, 36-40, 2007 | 10 | 2007 |
| Digital doppelgängers L Bode m/c Journal 8 (3), 2005 | 10 | 2005 |
| Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardom L Bode Celebrity studies 5 (1-2), 90-92, 2014 | 8 | 2014 |
| Performance, race, mock-documentary and the Australian national imaginary in The Nominees L Bode Post Script 28 (3), 68, 2009 | 5 | 2009 |
| The Uncanny Valley L Bode The Animation Studies Reader, 59, 2018 | 4 | 2018 |
| From shadow citizens to teflon stars: cultural responses to the digital actor LM Bode UNSW Sydney, 2005 | 4 | 2005 |
| Transitional tastes: Teen girls and genre in the critical reception of Twilight L Bode After Taste: Cultural Value and the Moving Image, 64-75, 2014 | 3 | 2014 |
| The Afterlives of Rudolph Valentino and Wallace Reid in the 1920s and 1930s L Bode Lasting Screen Stars: Images that Fade and Personas that Endure, 159-171, 2016 | 2 | 2016 |
| “Conspicuous Absence” and “Morbid Curiosity”: The Promotion and Reception of Saratoga (USA 1937) L Bode Screening The Past 28, 2010 | 2 | 2010 |
| From holy grail to deepfake: the evolving digital face on screen L Bode Edinburgh University Press, 2022 | 1 | 2022 |
| American Cinema of the 2010s: Themes and Variations M Schreiber, D Greven, R Haberski Jr, A Keller, D Smith-Rowsey, L Bode, ... Rutgers University Press, 2021 | 1 | 2021 |
| Seeking connections across constellations: a reflection on Tom O’Regan L Bode Continuum 35 (3), 427-436, 2021 | 1 | 2021 |
