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Lachlan Goold
Lachlan Goold
Lecturer, Contemporary Music
Verified email at usc.edu.au - Homepage
Title
Cited by
Cited by
Year
Queensland alcohol-related violence and night time economy monitoring (QUANTEM)
P Miller, K Coomber, J Ferris, M Burn, T Vakidis, M Livingston, N Droste, ...
Deakin University, 2019
462019
Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces
N Carah, S Regan, L Goold, L Rangiah, P Miller, J Ferris
International Journal of Cultural Policy 27 (5), 621-635, 2021
192021
Who uses digital drugs? An international survey of ‘binaural beat’consumers
MJ Barratt, A Maddox, N Smith, JL Davis, L Goold, AR Winstock, JA Ferris
Drug and Alcohol Review 41 (5), 1126-1130, 2022
142022
The uncertain future of the large-format recording studio
L Goold, P Graham
Royal College of Music (KMH) & Art of Record Production, 2019
142019
The impact of the Queensland Government's tackling alcohol‐Fuelled violence policy on live music performances in Fortitude Valley, Brisbane, Australia
C Puljević, N Carah, PG Miller, B Wood, C MacFarlane, E Kilpatrick, ...
Drug and alcohol review 40 (5), 738-745, 2021
62021
Space, time, creativity, and the changing character of the recording studio: Spatiotemporal attitudes toward'DIY'recording
LA Goold
Queensland University of Technology, 2018
52018
The MacGyver Approach: Teaching economy of availability in tertiary music education during COVID-19
B Luttrell, L Goold, A Ward
Social Alternatives 39 (4), 27-32, 2020
42020
QUeensland Alcohol-related violence and Night Time Economy Monitoring (QUANTEM): Final Report Geelong Australia
PG Miller, K Coomber, J Ferris, M Burn, T Vakidis, M Livingston, N Droste, ...
Prepared for the Queensland Government Department of Premier and Cabinet by …, 2019
32019
The production of space and the changing character of the recording studio
L Goold
Popular Music 41 (2), 238–256, 2022
22022
Tighter alcohol licensing hasn’t killed live music, but it’s harder for emerging artists
N Carah, J Ferris, L Goold, S Regan
The Conversation 15, 2019
22019
Building a World Class Music Ecosystem on the Sunshine Coast
A Ward, L Goold, B Luttrell, K Disney
University of the Sunshine Coast, 2022
12022
The changing nature of jazz artists within the recording technology space
L Goold, S Foran
Riffs 4 (1), 86-96, 2020
12020
Data collected for the" Building sustainable night-time economies in regional Australia" project
L Goold, A Ward, L Vance, H Dugmore, D Fleischman, R Mulcahy
University of the Sunshine Coast, 2024
2024
An Ecological Approach to Distortion in Mixing Audio: Is Distortion an Expected, Rather than an Unwanted Artefact?
L Goold
Distortion in Music Production, 109-127, 2023
2023
The Creative Music Networks of Regional Recording Studios: A Case Study of the Sunshine Coast and Gympie
L Goold
Popular Music Scenes: Regional and Rural Perspectives, 99-114, 2023
2023
Check 1, 2….. Preliminary Findings from the Building Sustainable Night-time Economies in Regional Australian Research Project
L Vance, R Mulcahy, L Goold, D Fleischman, A Ward, H Dugmore
University of the Sunshine Coast, 2023
2023
The Inaugural Music Producer and Engineers' Guild of Australia Survey Report
L Goold, A Laverty, EJ Dubowsky, C Haridy, S Krishnamurthy, T Larkin, ...
Music Producer and Engineers' Guild, 2023
2023
The Australian Regional Recording Industry
L Goold, D Cashman
Regional Music Research Group, 2023
2023
The Australian Regional Recording Industry
D Cashman, L Goold
RMRG Research Papers, 2023
2023
Regurgitator's Unit
L Goold, L Istvandity
Bloomsbury Publishing USA, 2022
2022
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