Talisha Goh

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Citations	202	194
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Cat HopeProfessor of Music, Sir Zelman Cowen School of Music and Performance, Monash UniversityVerified email at monash.edu
Sally MacarthurAssociate Professor of Musicology, Western Sydney UniversityVerified email at westernsydney.edu.au
Dawn BennettBond UniversityVerified email at bond.edu.au
Hennekam SophieAudencia Business SchoolVerified email at audencia.com
Margaret BarrettMonash UniversityVerified email at monash.edu
Clare HallSenior Lecturer in Performing Arts, Monash University, AustraliaVerified email at monash.edu
Robert Burke, Rob BurkeMonash UniversityVerified email at monash.edu
Nicole CanhamLecturer, Classical Music, Monash UniversityVerified email at monash.edu
Louise DevenishSenior Research Fellow and Percussion Coordinator, Monash UniversityVerified email at monash.edu
lindsay vickeryCoordinator of Composition and Music Technology, Edith Cowan UniversityVerified email at ecu.edu.au
Helen RusakEdith Cowan UniversityVerified email at ecu.edu.au
Frances BarbeEdith Cowan UniversityVerified email at ecu.edu.au
Renee NewmanEdith Cowan UniversityVerified email at ecu.edu.au
Peta BlevinsVerified email at ecu.edu.au

Talisha Goh

Postdoctoral Research Fellow, Monash University

Verified email at monash.edu - Homepage

Australian Music Gender Studies in Music Performing Arts Arts Industry


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Creating a career as a woman composer: Implications for music in higher education D Bennett, S Macarthur, C Hope, T Goh, S Hennekam British Journal of Music Education 35 (3), 237-253, 2018	49	2018
Hiding gender: How female composers manage gender identity D Bennett, S Hennekam, S Macarthur, C Hope, T Goh Journal of Vocational Behavior 113, 20-32, 2019	44	2019
Women composers’ use of online communities of practice to build and support their careers S Hennekam, S Macarthur, D Bennett, C Hope, T Goh Personnel Review 49 (1), 215-230, 2020	37	2020
The rise and fall, and the rise (again) of feminist research in music:‘What goes around comes around’ S Macarthur, D Bennett, T Goh, S Hennekam, C Hope Musicology Australia 39 (2), 73-95, 2017	35	2017
An international perspective on managing a career as a woman composer S Hennekam, D Bennett, S Macarthur, C Hope, T Goh International Journal of Arts Management, 4-13, 2019	22	2019
Hiding gender: Gender identity and the strategies of female composers D Bennett, S Hennekam, S Macarthur, C Hope, T Goh Journal of Vocational Behavior 113, 20-32, 2019	5	2019
From the other side: Feminist aesthetics in Australian musicology T Goh Tempo 74 (292), 21-29, 2020	3	2020
Gender as performance, experience, identity and, variable: A systematic review of gender research in jazz and improvisation N Canham, T Canham,Nicole Goh, MS Barrett, C Hope, L Devenish, ... Frontiers in Education 7, 2022	2	2022
Australia’s microtonal modernist: The life and works of Elsie Hamilton (1880-1965) T Goh Edith Cowan University, 2014	2	2014
Breathing through the pandemic: Performing arts challenges and responses to the mental health implications of COVID-19 H Rusak, T Goh, F Barbe, R Newman, P Blevins https://www.waapa.ecu.edu.au/__data/assets/pdf_file/0006/960387/Breathing …, 2021	1	2021
Re-Composing Feminism: Australian women composers in the new millennium T Goh Edith Cowan University, 2019	1	2019
Music Screen-Reading: indicative results from two pilot studies LR Vickery Dr, T Goh Australian Computer Music Association, 2015	1	2015
Surveying the scene to trumpet gender diversity in jazz M Park, T Goh https://lens.monash.edu/@politics-society/2022/04/07/1384546/surveying-the …, 2022		2022
Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter T Goh, C Hope Australian Music Centre, 2016		2016
MUSIC SCREEN-READING L Vickery, T Goh ACMC2015-MAKE!, 2015		2015

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