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Saige Walton
Saige Walton
Senior Lecturer: Screen Studies, University of South Australia
Verified email at unisa.edu.au - Homepage
Title
Cited by
Cited by
Year
Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement
S Walton
Amsterdam University Press, 2016
522016
Baroque Mutants in the 21st Century? Rethinking Genre Through the Superhero
S Walton
The Contemporary Comic Book Superhero, 86-106, 2008
302008
Air, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch
S Walton
Screening the Past 43 (April), http://www.screeningthepast.com/2018/02/, 2018
152018
Enfolding Surfaces, Spaces and Materials: Claire Denis' Neo-Baroque Textures of Sensation
S Walton
Screening the Past 37, 2013
102013
The Beauty of the Act: Figuring Film and the Delirious Baroque in Holy Motors
S Walton
NECSUS: European Journal of Media Studies, http://www.necsus-ejms.or, 2014
7*2014
Cruising the unknown: film as rhythm and embodied apprehension in L’Inconnu du lac/Stranger by the Lake (2013)
S Walton
New Review of Film and Television Studies 16 (3), 238-263, 2018
42018
‘Folds in the Soul’: Deleuze’s Baroque, Wölfflin and Grandrieux’s Un Lac (2008)
S Walton
Culture, Theory and Critique 57 (2), 197-214, 2016
42016
Film and/as devotion: Bruno Dumont's enworlded cinema
S Walton
Australian Journal of French Studies 52 (2), 188-203, 2015
42015
Showcasing the spectacular
S Walton
Metro Magazine 134, 234-9, 2002
42002
Fabricating Film—The Neo-Baroque Folds of Claire Denis
S Walton
Neo-Baroques, 76-99, 2017
32017
Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis' 35 Shots of Rum
S Walton
Film-Philosophy 27 (1), 7-28, 2023
22023
Sleeping away the Factory, Healing with Time: Gaston Bachelard, the Poetic Imagination and Testről és lélekről/ On Body and Soul (2017)
S Walton
Paragraph 43 (3), 348-363, 2020
22020
"Hit with a Wrecking Ball, Tickled with a Feather: Gesture, Deixis and the Baroque Cinema of Guy Maddin"
S Walton
Playing with Memories: Essays on Guy Maddin, 203-223, 2009
22009
Other Sides: Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth
S Walton
Projections 13 (2), 38-57, 2019
12019
'Gestures of Intimacy: Claire Denis’ I Can’t Sleep'
S Walton
Senses of Cinema 63, 2012
12012
Exploding the Frame: Strange Days, Contemporary Science Fiction Cinema and the Public Sphere
S Walton
Metro Magazine: Media & Education Magazine, 110-117, 2000
12000
Imagining the Elements with Gaston Bachelard and Claire Denis:‘Weighted’Images, Drift and Diffusion in L’Intrus/The Intruder
S Walton
Studies in World Cinema 3 (2), 200-219, 2023
2023
Hands in the machine: Maya Deren and Marie Menken’s manual gestures
S Walton
Alphaville: Journal of Film and Screen Media, 32-51, 2022
2022
Screening the artist: Between presence/absence, immediacy/mediation
S Walton, L Crispino
Alphaville: Journal of Film and Screen Media, 1-9, 2022
2022
Other Sides
S Walton
Emotions, Ethics, and Cinematic Experience: New Phenomenological and …, 2021
2021
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