Saige Walton
Saige Walton
Senior Lecturer: Screen Studies, University of South Australia
Verified email at unisa.edu.au - Homepage
Title
Cited by
Cited by
Year
Baroque Mutants in the 21st Century? Rethinking Genre Through the Superhero
S Walton
The Contemporary Comic Book Superhero, 86-106, 2008
212008
Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement
S Walton
Amsterdam University Press, 2016
182016
Enfolding Surfaces, Spaces and Materials: Claire Denis' Neo-Baroque Textures of Sensation
S Walton
Screening the Past 37, 2013
52013
The Beauty of the Act: Figuring Film and the Delirious Baroque in Holy Motors
S Walton
NECSUS: European Journal of Media Studies, http://www.necsus-ejms.or, 2014
42014
Air, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch
S Walton
Screening the Past 43 (April), http://www.screeningthepast.com/2018/02/, 2018
22018
Film and/as devotion: Bruno Dumont's enworlded cinema
S Walton
Australian Journal of French Studies 52 (2), 188, 2015
22015
‘Folds in the Soul’: Deleuze’s Baroque, Wölfflin and Grandrieux’s Un Lac (2008)
S Walton
Culture, Theory and Critique 57 (2), 197-214, 2016
12016
'Gestures of Intimacy: Claire Denis’ I Can’t Sleep'
S Walton
Senses of Cinema 63, 2012
12012
"Hit with a Wrecking Ball, Tickled with a Feather: Gesture, Deixis and the Baroque Cinema of Guy Maddin"
S Walton
Playing with Memories: Essays on Guy Maddin, 203-223, 2009
1*2009
Chaos and revelry: Neo-Baroque and camp aesthetics
S Walton
Artlink 28 (2), 87, 2008
12008
Exploding the Frame: Strange Days, Contemporary Science Fiction Cinema and the Public Sphere
S Walton
Metro Magazine: Media & Education Magazine, 110, 2000
12000
“Cinema as I see-I hear-I feel”: The Material Image: Art and the Real in Film by Brigitte Peucker
C Sautet
Book Reviews, 2020
2020
Cinema and Sensation: French Film and the Art of Transgression by Martine Beugnet
DW Griffith
Book Reviews, 2020
2020
Other Sides: Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth
S Walton
Projections 13 (2), 38-57, 2019
2019
Cruising the unknown: film as rhythm and embodied apprehension in L’Inconnu du lac/Stranger by the Lake (2013)
S Walton
New Review of Film and Television Studies 16 (3), 238-263, 2018
2018
“Becoming Space in Every Direction: Birdman (2014) as Post-Cinematic Baroque”
S Walton
Cinéma & Cie: International Film Studies Journal, 65-76, 2017
2017
Fabricating Film—The Neo-Baroque Folds of Claire Denis
S Walton
Neo-Baroques, 76-99, 2017
2017
Affective forces and folds of night: Les Salauds/Bastards (2013) as baroque dark matter
S Walton
The Cine-Fies 10, 1-25, 2016
2016
Digital Baroque: New Media Art and Cinematic Folds by Timothy Murray
S Walton
Screen 52 (1), 140-143, 2011
2011
Almost everywhere apparent
S Walton
Artlink 27 (4), 85, 2007
2007
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