| Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement S Walton Amsterdam University Press, 2016 | 53 | 2016 |
| Baroque Mutants in the 21st Century? Rethinking Genre Through the Superhero S Walton The Contemporary Comic Book Superhero, 86-106, 2008 | 31 | 2008 |
| Air, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch S Walton Screening the Past 43 (April), http://www.screeningthepast.com/2018/02/, 2018 | 17 | 2018 |
| The Beauty of the Act: Figuring Film and the Delirious Baroque in Holy Motors S Walton NECSUS: European Journal of Media Studies, http://www.necsus-ejms.or, 2014 | 8 | 2014 |
| Enfolding Surfaces, Spaces and Materials: Claire Denis' Neo-Baroque Textures of Sensation S Walton Screening the Past 37, 2013 | 8 | 2013 |
| Cruising the unknown: film as rhythm and embodied apprehension in L’Inconnu du lac/Stranger by the Lake (2013) S Walton New Review of Film and Television Studies 16 (3), 238-263, 2018 | 4 | 2018 |
| ‘Folds in the Soul’: Deleuze’s Baroque, Wölfflin and Grandrieux’s Un Lac (2008) S Walton Culture, Theory and Critique 57 (2), 197-214, 2016 | 4 | 2016 |
| Film And/As Devotion: Bruno Dumont’s Enworlded Cinema S Walton Australian Journal of French Studies 52 (2), 188-203, 2015 | 4 | 2015 |
| Showcasing the spectacular S Walton Metro Magazine 134, 234-9, 2002 | 4 | 2002 |
| Fabricating Film—The Neo-Baroque Folds of Claire Denis S Walton Neo-Baroques, 76-99, 2017 | 3 | 2017 |
| Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis' 35 Shots of Rum S Walton Film-Philosophy 27 (1), 7-28, 2023 | 2 | 2023 |
| Sleeping away the Factory, Healing with Time: Gaston Bachelard, the Poetic Imagination and Testről és lélekről/ On Body and Soul (2017) S Walton Paragraph 43 (3), 348-363, 2020 | 2 | 2020 |
| "Hit with a Wrecking Ball, Tickled with a Feather: Gesture, Deixis and the Baroque Cinema of Guy Maddin" S Walton Playing with Memories: Essays on Guy Maddin, 203-223, 2009 | 2 | 2009 |
| Other Sides: Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth S Walton Projections 13 (2), 38-57, 2019 | 1 | 2019 |
| Exploding the Frame: Strange Days, Contemporary Science Fiction Cinema and the Public Sphere S Walton Metro Magazine: Media & Education Magazine, 110-117, 2000 | 1 | 2000 |
| Horizons West: Directing the Western from John Ford to Clint Eastwood by Jim Kitses S Walton Future, 2024 | | 2024 |
| Designing Luxury: Sofia Coppola's Production Design S Walton, S Ferriss The Bloomsbury Handbook to Sofia Coppola, 2023 | | 2023 |
| Hands in the machine: Maya Deren and Marie Menken’s manual gestures S Walton Alphaville: Journal of Film and Screen Media, 32-51, 2022 | | 2022 |
| Screening the artist: Between presence/absence, immediacy/mediation S Walton, L Crispino Alphaville: Journal of Film and Screen Media, 1-9, 2022 | | 2022 |
| “Becoming Space in Every Direction: Birdman (2014) as Post-Cinematic Baroque” S Walton Cinéma & Cie: International Film Studies Journal, 65-76, 2017 | | 2017 |
