| The Face Mask in COVID Times D Lupton, C Southerton, M Clark, A Watson The Face Mask In COVID Times, 2021 | 82* | 2021 |
| Research perspectives on TikTok & its legacy apps| Lip-syncing and saving lives: Healthcare workers on TikTok C Southerton International Journal of Communication 15, 21, 2021 | 71 | 2021 |
| Restricted modes: Social media, content classification and LGBTQ sexual citizenship C Southerton, D Marshall, P Aggleton, ML Rasmussen, R Cover New Media & Society 23 (5), 920-938, 2021 | 56 | 2021 |
| 'Zombies, run!': Rethinking immersion in light of nontraditional gaming contexts C Southerton Transmedia Practice: A Collective Approach, 2014 | 46 | 2014 |
| Datafication C Southerton Encyclopedia of Big Data, 358-361, 2020 | 38 | 2020 |
| Repetitions of desire: Queering the One Direction fangirl H McCann, C Southerton Girlhood Studies 12 (1), 49-65, 2019 | 27 | 2019 |
| OBGYNs of TikTok and the role of misinformation in diffractive knowledge production C Southerton, M Clark Journal of Sociology 59 (3), 610-627, 2023 | 24 | 2023 |
| Habitual disclosure: Routine, affordance, and the ethics of young peoples social media data surveillance C Southerton, E Taylor Social Media+ Society 6 (2), 2020 | 24 | 2020 |
| The thing-power of the Facebook assemblage: Why do users stay on the platform? D Lupton, C Southerton Journal of Sociology 57 (4), 969-985, 2021 | 23 | 2021 |
| Digitized and datafied embodiment: A more-than-human approach D Lupton, M Clark, C Southerton Palgrave handbook of critical posthumanism, 1-23, 2022 | 21 | 2022 |
| Digital self-tracking, habits and the myth of discontinuance: It doesn’t just ‘stop’ M Clark, C Southerton, M Driller New Media & Society, 14614448221083992, 2022 | 14 | 2022 |
| Young people and TikTok use in Australia: Digital geographies of care in popular culture J McLean, C Southerton, D Lupton Social & Cultural Geography 25 (5), 795-813, 2024 | 12 | 2024 |
| Queerbaiting and Real Person Slash: The Case of Larry Stylinson C Southerton, H McCann Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities, 161-163, 2019 | 12 | 2019 |
| Situated Talk: A method for a reflexive encounter with #donorconceived on TikTok G Newton, C Southerton Media International Australia 186 (1), 2023 | 7 | 2023 |
| Conspiracy N Smith, A Maddox, C Southerton, SA Baker M/C Journal 25 (1), 2022 | 7 | 2022 |
| Fieldwork at your fingertips: creative methods for social research under lockdown A Watson, M Clark, C Southerton, D Lupton Nature 3, 2021 | 7 | 2021 |
| #FreeBritney and the Pleasures of Conspiracy N Smith, C Southerton M/C Journal 25 (1), 2022 | 6 | 2022 |
| The futures of qualitative research in the COVID-19 era: Experimenting with creative and digital methods C Southerton, M Clark, A Watson, D Lupton A research agenda for COVID-19 and society, 155-174, 2022 | 5 | 2022 |
| Dataveillance and the Dividuated Self: The Everyday Digital Surveillance of Young People C Southerton, E Taylor The Pre-Crime Society: Crime, Culture and Control in the Ultramodern Age …, 2021 | 5 | 2021 |
| Boy crazy, but not in a straight way: The ‘truth’about Larry in the One Direction fandom H McCann, C Southerton Journal of fandom studies 9 (2), 143-159, 2021 | 4 | 2021 |
Deborah LuptonSHARP Professor, Vitalities Lab, University of New South Wales SydneyVerified email at unsw.edu.au
