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Carolyn Philpott
Carolyn Philpott
Verified email at utas.edu.au
Title
Cited by
Cited by
Year
Sonic Explorations of the Southernmost Continent: Four composers’ responses to Antarctica and climate change in the twenty-first century
C Philpott
Organised Sound 21 (1), 83-93, 2016
182016
An analysis of performance practices in African American gospel music: rhythm, lyric treatment and structures in improvisation and accompaniment
A Legg, C Philpott
Popular music 34 (2), 197-225, 2015
122015
Depths and surfaces: understanding the Antarctic region through the humanities and social sciences
HEF Nielsen, C Philpott
The Polar Journal 8 (1), 1-15, 2018
112018
Promoting environmental awareness through context-based composition
C Philpott
Organised Sound 23 (1), 39-50, 2018
102018
At the End of Night: explorations of Antarctica and Space in the sound art of Philip Samartzis
C Philpott, P Samartzis
The Polar Journal 7 (2), 336-350, 2017
82017
Making music on the march: sledging songs of the ‘heroic age’of Antarctic exploration
C Philpott, E Leane
Polar Record 52 (6), 698-716, 2016
82016
Circular Breathing:: Expanding Musical Possibilities for Flute Players and Composers
A McPherson, CJ Philpott
Journal of Music Research Online 7, 2016
72016
The sounds of silence: music in the heroic age of Antarctic exploration
C Philpott
The Polar Journal 3 (2), 447-465, 2013
72013
Scott at the Opera: interpreting Das Opfer (1937)
E Leane, C Philpott, H Nielsen
The Polar Journal 4 (2), 354-376, 2014
52014
Notes from the Heroic Age of Antarctic Exploration: Gerald S. Doorly’s Songs of the ‘Morning’
C Philpott
Context: A Journal of Music Research, 3-35, 2012
52012
An Australian composer abroad: Malcolm Williamson and the projection of an Australian identity
C Philpott
University of Tasmania, 2010
42010
Songs of the south: a song cycle for mezzo soprano and piano based on lyrics from the heroic age of Antarctic exploration
E Leane, C Philpott, S McIntryre
University Of Tasmania, 2014
32014
Peter Sculthorpe's String Quartet No. 14: A Musical Response to Social Injustice
C Philpott
Context: Journal of Music Research, 83-96, 2004
32004
Listening ‘at the sea ice edge’: Compositions based on soundscape recordings made in Antarctica
C Philpott
Anthropocene Antarctica, 101-116, 2019
22019
Composing connections between continents: Tracing the history of Australia’s engagement with Antarctica through music
C Philpott
Australian Historical Studies 49 (1), 63-82, 2018
22018
What's wrong with ‘expeditioner’?
E Leane, C Philpott
Polar Record 53 (1), 105-106, 2017
22017
The Glitter Gang (1973–74): A Microcosm of Malcolm Williamson’s Views on Social Inclusivity and His Australian Identity
C Philpott, J Humberstone
Musicology Australia 38 (1), 1-28, 2016
22016
From the outside: Helpmann, Nolan and Williamson's Australian ballet'the display'(1964)
C Philpott, AM Forbes
Context: A Journal of Music Research, 17-34, 2015
22015
The Master and the Media: Malcolm Williamson in the Press
C Philpott
Musical Islands: Exploring Connections between Music, Place and Research, 157-88, 2009
22009
Williamson, Malcolm
M Barkl, C Philpott
Grove Music Online (Accessed 4 November 2014),< http://www …, 2001
22001
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