Sonic Explorations of the Southernmost Continent: Four composers’ responses to Antarctica and climate change in the twenty-first century C Philpott Organised Sound 21 (1), 83-93, 2016 | 18 | 2016 |
An analysis of performance practices in African American gospel music: rhythm, lyric treatment and structures in improvisation and accompaniment A Legg, C Philpott Popular music 34 (2), 197-225, 2015 | 12 | 2015 |
Depths and surfaces: understanding the Antarctic region through the humanities and social sciences HEF Nielsen, C Philpott The Polar Journal 8 (1), 1-15, 2018 | 11 | 2018 |
Promoting environmental awareness through context-based composition C Philpott Organised Sound 23 (1), 39-50, 2018 | 10 | 2018 |
At the End of Night: explorations of Antarctica and Space in the sound art of Philip Samartzis C Philpott, P Samartzis The Polar Journal 7 (2), 336-350, 2017 | 8 | 2017 |
Making music on the march: sledging songs of the ‘heroic age’of Antarctic exploration C Philpott, E Leane Polar Record 52 (6), 698-716, 2016 | 8 | 2016 |
Circular Breathing:: Expanding Musical Possibilities for Flute Players and Composers A McPherson, CJ Philpott Journal of Music Research Online 7, 2016 | 7 | 2016 |
The sounds of silence: music in the heroic age of Antarctic exploration C Philpott The Polar Journal 3 (2), 447-465, 2013 | 7 | 2013 |
Scott at the Opera: interpreting Das Opfer (1937) E Leane, C Philpott, H Nielsen The Polar Journal 4 (2), 354-376, 2014 | 5 | 2014 |
Notes from the Heroic Age of Antarctic Exploration: Gerald S. Doorly’s Songs of the ‘Morning’ C Philpott Context: A Journal of Music Research, 3-35, 2012 | 5 | 2012 |
An Australian composer abroad: Malcolm Williamson and the projection of an Australian identity C Philpott University of Tasmania, 2010 | 4 | 2010 |
Songs of the south: a song cycle for mezzo soprano and piano based on lyrics from the heroic age of Antarctic exploration E Leane, C Philpott, S McIntryre University Of Tasmania, 2014 | 3 | 2014 |
Peter Sculthorpe's String Quartet No. 14: A Musical Response to Social Injustice C Philpott Context: Journal of Music Research, 83-96, 2004 | 3 | 2004 |
Listening ‘at the sea ice edge’: Compositions based on soundscape recordings made in Antarctica C Philpott Anthropocene Antarctica, 101-116, 2019 | 2 | 2019 |
Composing connections between continents: Tracing the history of Australia’s engagement with Antarctica through music C Philpott Australian Historical Studies 49 (1), 63-82, 2018 | 2 | 2018 |
What's wrong with ‘expeditioner’? E Leane, C Philpott Polar Record 53 (1), 105-106, 2017 | 2 | 2017 |
The Glitter Gang (1973–74): A Microcosm of Malcolm Williamson’s Views on Social Inclusivity and His Australian Identity C Philpott, J Humberstone Musicology Australia 38 (1), 1-28, 2016 | 2 | 2016 |
From the outside: Helpmann, Nolan and Williamson's Australian ballet'the display'(1964) C Philpott, AM Forbes Context: A Journal of Music Research, 17-34, 2015 | 2 | 2015 |
The Master and the Media: Malcolm Williamson in the Press C Philpott Musical Islands: Exploring Connections between Music, Place and Research, 157-88, 2009 | 2 | 2009 |
Williamson, Malcolm M Barkl, C Philpott Grove Music Online (Accessed 4 November 2014),< http://www …, 2001 | 2 | 2001 |