| Accessing subscription video on demand: A study of disability and streaming television in Australia K Ellis, M Kent, K Locke, M Merchant Australian Communications Consumer Action Network, 2016 | 12 | 2016 |
| Captions and the Cooking Show M Merchant, K Ellis, N Latter M/C Journal 20 (3), 2017 | 2 | 2017 |
| Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC’s The Walking Dead L O’Mahony, M Merchant, S Order Journal of Postcolonial Writing 57 (1), 89-103, 2021 | | 2021 |
| “The woman newly come, called Pegg”: an historiographical examination of Margaret Hughes as the Vere Street Desdemona M Merchant The Seventeenth Century 35 (5), 651-665, 2020 | | 2020 |
| Disability Media Work K Ellis, M Merchant Routledge as part of Taylor & Francis, 2019 | | 2019 |
| "What gay, vain, prating this is this": Discourses of femininity in Thomas Shadwell's adaptation of Timon of Athens M Merchant Outskirts 38, 1-17, 2018 | | 2018 |
| ‘The tempter or the tempted, who sins most?’: Love and Lust in Measure for Measure and The Law Against Lovers M Merchant The Shakespeare Institute Review, 2017 | | 2017 |
| The Variety of Her Infinite Variety: A Praxis-led Examination of a New Historicist/Cultural Materialist Construct M Merchant IM: Interactive Media, 2012 | | 2012 |
Katie EllisSenior Research FellowVerified email at curtin.edu.au
