| Accessing subscription video on demand: A study of disability and streaming television in Australia M Kent, K Ellis, K Locke, M Merchant Australian Communications Consumer Action Network, 2016 | 18 | 2016 |
| Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC’s The Walking Dead L O’Mahony, M Merchant, S Order Journal of Postcolonial Writing 57 (1), 89-103, 2021 | 6 | 2021 |
| Captions and the Cooking Show M Merchant, K Ellis, N Latter M/C Journal 20 (3), 2017 | 5 | 2017 |
| Disability media work K Ellis, M Merchant The Routledge companion to disability and media, 387-399, 2019 | 4 | 2019 |
| “The woman newly come, called Pegg”: an historiographical examination of Margaret Hughes as the Vere Street Desdemona M Merchant The Seventeenth Century 35 (5), 651-665, 2020 | 2 | 2020 |
| The Actress and Shakespeare: The Impact and Influence of the Actress on the Performance of Shakespeare During the Restoration M Merchant Murdoch University, 2012 | 1 | 2012 |
| Representing Fatal Violence in AMC’s The Walking Dead: The Role of Legitimation, Graphicness and Explicitness L O’Mahony, M Merchant, S Order Difficult Death, Dying and the Dead in Media and Culture, 99-113, 2023 | | 2023 |
| Networks of Alterity in Syndemic Times: Sociodigital Media Controversy Around Racism in Mexico André Dorcé Journal of Intercultural Studies, volume 43, issue 6 (2022) pp. 773-790 S Courtis, M Merchant, E Sears, ID Lockdown, AF Carbajal, C Archer, ... Performing Identity in the Era of COVID-19 43 (6), 758-772, 2023 | | 2023 |
| Performing Identity in the Era of COVID-19 L O'Mahony, RK Gairola, M Merchant, S Order Taylor & Francis, 2023 | | 2023 |
| Viral stagings across the globe: Performing identity in the era of COVID-19 RK Gairola, L O’Mahony, M Merchant, S Order Journal of Intercultural Studies 43 (6), 691-703, 2022 | | 2022 |
| Hope, Performative Diversity and re-production: Hamilton and COVID-era Politics S Courtis, M Merchant, E Sears Journal of Intercultural Studies 43 (6), 791-809, 2022 | | 2022 |
| Memes, Screens and Broadway Scenes: Popular Culture Representations of Shakespeare’s Actors in the Age of Participatory Media M Merchant Actes des congrès de la Société française Shakespeare 39, 2021 | | 2021 |
| "What gay, vain, prating this is this": Discourses of femininity in Thomas Shadwell's adaptation of Timon of Athens M Merchant Outskirts 38, 1-17, 2018 | | 2018 |
| Much ado about Shakespeare M Merchant | | 2018 |
| One Night One day M Lindsay, M Merchant | | 2018 |
| Home at Last: A Toy’s Journey M Merchant, E Sears, J De Reuck | | 2017 |
| ‘The tempter or the tempted, who sins most?’: Love and Lust in Measure for Measure and The Law Against Lovers M Merchant The Shakespeare Institute Review, 2017 | | 2017 |
| Titus Adronicus J De Reuck, M Merchant, E Sears | | 2016 |
| No Names, No Pack drill M Merchant | | 2015 |
| Never Ever M Merchant | | 2015 |
Katie EllisSenior Research FellowVerified email at curtin.edu.au
