| Two-dimensional viscous froth model for foam dynamics N Kern, D Weaire, A Martin, S Hutzler, SJ Cox PHYSICAL REVIEW-SERIES E- 70 (4; PART 1), 41411-41411, 2004 | 128 | 2004 |
| Towards a taxonomy of musical metacreation: Reflections on the first musical metacreation weekend A Eigenfeldt, O Bown, P Pasquier, A Martin Proceedings of the AAAI Conference on Artificial Intelligence and …, 2013 | 38 | 2013 |
| Influence of magnetic field and gravity on the morphology of zinc fractal electrodeposits TR Ni'Mhi'ochain, G Hinds, A Martin, E Chang ZY, A Lai, L Costiner, ... Electrochimica acta 49 (27), 4813-4828, 2004 | 34 | 2004 |
| A toolkit for designing interactive musical agents A Martin, CT Jin, O Bown Proceedings of the 23rd Australian Computer-Human Interaction Conference …, 2011 | 26 | 2011 |
| Psychoacoustic Evaluation of Systems for Delivering Spatialized Augmented-Reality Audio A Martin, CT Jin, A van Schaik J. Audio Eng. Soc 57 (12), 1017, 2009 | 25 | 2009 |
| Autonomy in music-generating systems O Bown, A Martin Proceedings of the AAAI Conference on Artificial Intelligence and …, 2012 | 21 | 2012 |
| The musical metacreation weekend: challenges arising from the live presentation of musically metacreative systems O Bown, A Eigenfeldt, A Martin, B Carey, P Pasquier Proceedings of the AAAI Conference on Artificial Intelligence and …, 2013 | 19 | 2013 |
| Implementation of a real-time musical decision-maker A Martin, CT Jin, O Bown Proceedings of the Australasian Computer Music Conference, 2012 | 16 | 2012 |
| Creative experiments using a system for learning high-level performance structure in ableton live A Martin, CT Jin, B Carey, O Bown Proceedings of the Sound and Music Computing Conference, 311-317, 2012 | 12 | 2012 |
| A Similarity Algorithm for Interactive Style Imitation A Martin, A McEwan, CT Jin, WL Martens International Computer Music Conference, 2011 | 9 | 2011 |
| Partially observable Markov decision processes for interactive music systems A Martin, C Jin, A Van Schaik, WL Martens International Computer Music Conference, 490-493, 2010 | 7 | 2010 |
| Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control A Martin, S Ferguson, K Beilharz New Interfaces for Musical Expression, 2010 | 7 | 2010 |
| Touchless gestural control of concatenative sound synthesis AGV Martin McGill University (Canada), 2011 | 5 | 2011 |
| A corpus-based method for controlling guitar feedback S Ferguson, A Johnston, A Martin New Interfaces for Musical Expression (NIME), 2013 | 4 | 2013 |
| Theinterface¿ in site-specific sound installation K Beilharz, MA Martin Proceedings of the 2012 conference on New interfaces for musical expression, 2012 | 4 | 2012 |
| Methods to Support End User Design of Arrangement-Level Musical Decision Making AG Martin University of Sydney., 2013 | 3 | 2013 |
| Design and evaluation of agents that sequence and juxtapose short musical patterns in real time A Martin, CT Jin, O Bown Computer Music Journal 41 (4), 45-63, 2017 | 2 | 2017 |
| The agent designer toolkit A Martin, O Bown Proceedings of the 9th ACM Conference on Creativity & Cognition, 386-387, 2013 | 2 | 2013 |
| Backgammon: Process-based musical explorations using the Agent Designer O Bown, A Martin Proceedings of the 9th ACM Conference on Creativity & Cognition, 390-391, 2013 | 1 | 2013 |
| The ʻInterfaceʼ in Site-Specific Sound Installation K Beilharz, A Martin New Interfaces for Musical Expression (NIME), 2012 | | 2012 |
Oliver BownAssociate Professor, UNSW Art & DesignVerified email at unsw.edu.au
