Toby Gifford
Toby Gifford
Research Fellow, SensiLab, Monash University
Verified email at
Cited by
Cited by
Freshwater ecoacoustics as a tool for continuous ecosystem monitoring
S Linke, T Gifford, C Desjonqučres, D Tonolla, T Aubin, L Barclay, ...
Frontiers in Ecology and the Environment 16 (4), 231-238, 2018
Should music interaction be easy?
J McDermott, T Gifford, A Bouwer, M Wagy
Music and human-computer interaction, 29-47, 2013
Passive acoustic monitoring as a potential tool to survey animal and ecosystem processes in freshwater environments
C Desjonqučres, T Gifford, S Linke
Freshwater Biology 65 (1), 7-19, 2020
In a silent way: Communication between ai and improvising musicians beyond sound
J McCormack, T Gifford, P Hutchings, MT Llano Rodriguez, M Yee-King, ...
Proceedings of the 2019 chi conference on human factors in computing systems …, 2019
Autonomy, authenticity, authorship and intention in computer generated art
J McCormack, T Gifford, P Hutchings
International conference on computational intelligence in music, sound, art …, 2019
Flexible generation of musical form: beyond mere generation
A Eigenfeldt, O Bown, AR Brown, T Gifford
Proceedings of the seventh international conference on computational …, 2016
Computational systems for music improvisation
T Gifford, S Knotts, J McCormack, S Kalonaris, M Yee-King, M d’Inverno
Digital Creativity 29 (1), 19-36, 2018
Beyond Reflexivity: Mediating between imitative and intelligent action in an interactive music system
T Gifford, AR Brown
25th BCS Conference on Human-Computer Interaction, 2011
Diurnal variation in freshwater ecoacoustics: Implications for site‐level sampling design
S Linke, E Decker, T Gifford, C Desjonqučres
Freshwater Biology 65 (1), 86-95, 2020
Techniques for generative melodies inspired by music cognition
AR Brown, T Gifford, R Davidson
Computer Music Journal 39 (1), 11-26, 2015
Design considerations for real-time collaboration with creative artificial intelligence
J McCormack, P Hutchings, T Gifford, M Yee-King, MT Llano, M D’inverno
Organised Sound 25 (1), 41-52, 2020
Stimulating creative partnerships in human-agent musical interaction
AR Brown, T Gifford, B Voltz
Computers in Entertainment (CIE) 14 (2), 1-17, 2017
River listening: acoustic ecology and aquatic bioacoustics in global river systems
L Barclay, T Gifford, S Linke
Leonardo 51 (03), 298-299, 2018
Do androids dream of electric chimera?
T Gifford, AR Brown
Improvise: The Australasian Computer Music Conference 2009, 56-63, 2009
Controlling interactive music performance (cim)
A Brown, T Gifford, B Voltz
Proceedings of the fourth international conference on computational …, 2013
Generation in context: an exploratory method for musical enquiry
AR Brown, TM Gifford
The Second International Conference on Music Communication Science, 7-10, 2009
Interdisciplinary approaches to freshwater ecoacoustics
L Barclay, T Gifford, S Linke
Freshwater Science 39 (2), 356-361, 2020
Spatio‐temporal heterogeneity in river sounds: Disentangling micro‐and macro‐variation in a chain of waterholes
C Karaconstantis, C Desjonqučres, T Gifford, S Linke
Freshwater Biology 65 (1), 96-106, 2020
Distributed Musical Decision-making in an Ensemble of Musebots: Dramatic Changes and Endings
A Eigenfeldt, O Bown, A Brown, T Gifford
International Conference on Computational Creativity 8, 2017
Factors affecting audience perceptions of agency in human computer musical partnerships
AR Brown, T Gifford, B Voltz
Proceedings of the 9th ACM Conference on Creativity & Cognition, 296-299, 2013
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