| Freshwater ecoacoustics as a tool for continuous ecosystem monitoring S Linke, T Gifford, C Desjonqučres, D Tonolla, T Aubin, L Barclay, ... Frontiers in Ecology and the Environment 16 (4), 231-238, 2018 | 68 | 2018 |
| Should music interaction be easy? J McDermott, T Gifford, A Bouwer, M Wagy Music and human-computer interaction, 29-47, 2013 | 41 | 2013 |
| Passive acoustic monitoring as a potential tool to survey animal and ecosystem processes in freshwater environments C Desjonqučres, T Gifford, S Linke Freshwater Biology 65 (1), 7-19, 2020 | 38 | 2020 |
| In a silent way: Communication between ai and improvising musicians beyond sound J McCormack, T Gifford, P Hutchings, MT Llano Rodriguez, M Yee-King, ... Proceedings of the 2019 chi conference on human factors in computing systems …, 2019 | 38 | 2019 |
| Autonomy, authenticity, authorship and intention in computer generated art J McCormack, T Gifford, P Hutchings International conference on computational intelligence in music, sound, art …, 2019 | 37 | 2019 |
| Flexible generation of musical form: beyond mere generation A Eigenfeldt, O Bown, AR Brown, T Gifford Proceedings of the seventh international conference on computational …, 2016 | 22 | 2016 |
| Computational systems for music improvisation T Gifford, S Knotts, J McCormack, S Kalonaris, M Yee-King, M d’Inverno Digital Creativity 29 (1), 19-36, 2018 | 21 | 2018 |
| Beyond Reflexivity: Mediating between imitative and intelligent action in an interactive music system T Gifford, AR Brown 25th BCS Conference on Human-Computer Interaction, 2011 | 17 | 2011 |
| Diurnal variation in freshwater ecoacoustics: Implications for site‐level sampling design S Linke, E Decker, T Gifford, C Desjonqučres Freshwater Biology 65 (1), 86-95, 2020 | 15 | 2020 |
| Techniques for generative melodies inspired by music cognition AR Brown, T Gifford, R Davidson Computer Music Journal 39 (1), 11-26, 2015 | 15 | 2015 |
| Design considerations for real-time collaboration with creative artificial intelligence J McCormack, P Hutchings, T Gifford, M Yee-King, MT Llano, M D’inverno Organised Sound 25 (1), 41-52, 2020 | 14 | 2020 |
| Stimulating creative partnerships in human-agent musical interaction AR Brown, T Gifford, B Voltz Computers in Entertainment (CIE) 14 (2), 1-17, 2017 | 14 | 2017 |
| River listening: acoustic ecology and aquatic bioacoustics in global river systems L Barclay, T Gifford, S Linke Leonardo 51 (03), 298-299, 2018 | 11 | 2018 |
| Do androids dream of electric chimera? T Gifford, AR Brown Improvise: The Australasian Computer Music Conference 2009, 56-63, 2009 | 11 | 2009 |
| Controlling interactive music performance (cim) A Brown, T Gifford, B Voltz Proceedings of the fourth international conference on computational …, 2013 | 10 | 2013 |
| Generation in context: an exploratory method for musical enquiry AR Brown, TM Gifford The Second International Conference on Music Communication Science, 7-10, 2009 | 10 | 2009 |
| Interdisciplinary approaches to freshwater ecoacoustics L Barclay, T Gifford, S Linke Freshwater Science 39 (2), 356-361, 2020 | 9 | 2020 |
| Spatio‐temporal heterogeneity in river sounds: Disentangling micro‐and macro‐variation in a chain of waterholes C Karaconstantis, C Desjonqučres, T Gifford, S Linke Freshwater Biology 65 (1), 96-106, 2020 | 9 | 2020 |
| Distributed Musical Decision-making in an Ensemble of Musebots: Dramatic Changes and Endings A Eigenfeldt, O Bown, A Brown, T Gifford International Conference on Computational Creativity 8, 2017 | 9 | 2017 |
| Factors affecting audience perceptions of agency in human computer musical partnerships AR Brown, T Gifford, B Voltz Proceedings of the 9th ACM Conference on Creativity & Cognition, 296-299, 2013 | 9 | 2013 |
Andrew R. BrownGriffith UniversityVerified email at griffith.edu.au
