| The Australian music industry’s mental health crisis: media narratives during the coronavirus pandemic S Brunt, K Nelligan Media International Australia 178 (1), 42-46, 2021 | 39* | 2021 |
| Community Music in Australia and New Zealand Aotearoa BL Bartleet, S Brunt, A Tait, C Threlfall Community Music Today, edited by Kari K. Veblen, Stephen J. Messenger …, 2013 | 10 | 2013 |
| Made in Australia and Aotearoa/New Zealand S Brunt, G Stahl Great Britain: Routledge, 2018 | 8 | 2018 |
| Our ‘stay home’music video: the collision of academic research and family life during COVID-19 lockdown in Melbourne, Australia S Brunt Journal of Children and Media 15 (1), 21-24, 2021 | 7 | 2021 |
| Performing beyond the grave: the posthumous duet SD Brunt Death and the Rock Star, 165-176, 2016 | 6 | 2016 |
| ‘Click, Play and Save’: The iGamelan as a Tool for Music-culture Sustainability SD Brunt, H Johnson Musicology Australia 35 (2), 221-236, 2013 | 6 | 2013 |
| Sounding out the streets: Performance, cultural identity and place in Wellington’s Cuba Street carnival S Brunt Many Voices: Aotearoa/New Zealand Music and National Identity, 39-49, 2010 | 6 | 2010 |
| The Kohaku song contest: A community in performance SD Brunt Context: Journal of Music Research, 5, 2003 | 6 | 2003 |
| The Infinite Power of Song: Uniting Japan at the 60th Annual Kōhaku Song Contest SD Brunt Made in Japan: Studies in Popular Music. London & New York: Routledge Taylor …, 2014 | 5 | 2014 |
| Performing Identity and Place in Wellington’s Cuba Street Carnival’ S Brunt Home, Land and Sea. Situating Music in Aotearoa New Zealand, 161-73, 2011 | 5 | 2011 |
| ‘Changing Japan, unchanging Japan’: Shift ing visions of the red and white song contest SD Brunt A Song for Europe: Eurovision, Popular Music, and the Politics of Kitsch …, 2007 | 5* | 2007 |
| New perspectives on popular music in Asia S Brunt Perfect Beat: The Pacific Journal of Research into Contemporary Music and …, 2011 | 4* | 2011 |
| Work-integrated learning in university popular music programmes: localised approaches to vocational curricula in Melbourne, Australia and Wellington, Aotearoa/New Zealand C Hoad, O Wilson, S Brunt, G Shill, B Howe British Journal of Music Education 37 (2), 181-192, 2020 | 3 | 2020 |
| This is My City: Reimagining Popular Music Down Under S BRUNT, G STAHL Made in Australia and Aotearoa/New Zealand, 17-32, 2018 | 3* | 2018 |
| Southern gold bars: the gamelan community in Dunedin S Brunt, H Johnson Otago University Press, 2011 | 3 | 2011 |
| Peer Reviewed SD Brunt, K Zemke | 3* | |
| ‘Lookin, searchin, seekin, findin’: A new beat S Brunt, O Wilson, C Strong Perfect Beat 15 (2), 105-111, 2015 | 2 | 2015 |
| When black tears fall: Image-making and cultural identity in a case study of Japan’s hiphop/enka singer Jero SD Brunt Stuck in the Middle: Th e Mainstream and Its Discontents: Select Proceedings …, 2009 | 2 | 2009 |
| Performing community: Japan’s 50th Kōhaku song contest. SD Brunt | 2 | 2006 |
| Towards A Parent-Friendly Music Industry: Insights from Workers during the COVID Pandemic S Brunt Popular Music and Parenting, 82-100, 2022 | 1 | 2022 |
Kat NelliganRMIT UniversityVerified email at rmit.edu.au
