| Fake and fan film trailers as incarnations of audience anticipation and desire KA Williams Transformative Works and Cultures 9, 2012 | 45 | 2012 |
| News media literacy challenges and opportunities for Australian school students and teachers in the age of platforms J Nettlefold, K Williams Journal of Media Literacy Education 13 (1), 28-40, 2021 | 17 | 2021 |
| Never coming to a theatre near you: Recut film trailers K Williams M/C Journal 12 (2), 2009 | 17 | 2009 |
| Insight Five: A snapshot of Media Literacy in Australian Schools J Nettlefold, K Williams | 11 | 2018 |
| Mediated visibility and public environmental litigation: the interplay between inside and outside court during environmental conflict in Australia C Nixon, C Konkes, L Lester, K Williams Laws 10 (2), 35, 2021 | 7 | 2021 |
| # loveyourshelfie: Mills & Boon books and how to find them L Fletcher, J McAlister, K Temple, K Williams Mémoires du livre/Studies in Book Culture 11 (1), 2019 | 7 | 2019 |
| The Wonder Years: nostalgia, memory and pastness in television credits K Williams Alphaville: Journal of Film and Screen Media, 59-77, 2017 | 7 | 2017 |
| Recut Film Trailers, Nostalgia and the Teen Film K Williams Fan CULTure: Essays on Participatory Fandom in the 21st Century, 47, 2013 | 7 | 2013 |
| Re-reading the history of the trailer: The production and consumption of “recut” trailers K Williams | 5 | 2010 |
| The recut trailer as networked object K Williams | 4* | 2014 |
| The Recut trailer as networked object: Anticipation and nostalgia in the YouTube era KA Williams | 4 | 2014 |
| The invisible architecture of creative and cultural work: the relationship between miscategorisation and sector wellbeing during COVID-19 K Williams, L Lester, A Seivwright Creative Industries Journal, 1-19, 2022 | 3 | 2022 |
| Extended attractions: Recut trailers, film promotion, and audience desire K Williams Cycles, Sequels, Spin-offs, Remakes, and Reboots, 260-276, 2021 | 3* | 2021 |
| Internet Killed the Video Store: Video Stores, Cultural Memory, Nostalgia and Fandom K Williams University of Iowa Press, 2018 | 3 | 2018 |
| Eulogies for the Video Store: Remembering the Practices and Objects of the Rental Era K Williams Australian Screen in the 2000s, 321-340, 2017 | 2 | 2017 |
| Natural disaster on Instagram: Examining representations of the 2018–2019 Tasmanian fires G Blackwood, A Hardy, B Dodd, CS Ooi, K Williams Annals of Tourism Research Empirical Insights 4 (1), 100082, 2023 | 1 | 2023 |
| Bushfires and tourism: A framing analysis of media reportage of the 2019 Tasmanian bushfire season for tourism narratives G Blackwood, K Williams, CS Ooi, A Hardy CAUTHE 2020: 20: 20 Vision: New Perspectives on the Diversity of Hospitality …, 2020 | 1 | 2020 |
| Workforce miscategorisation and sector wellbeing K Williams University of Tasmania, 2022 | | 2022 |
| Coal versus coral: Australian climate change politics sees the Great Barrier Reef in court C Konkes, C Nixon, L Lester, K Williams Queensland Review 28 (2), 132-146, 2021 | | 2021 |
| Searching for a remnant in pixels and static: the fleeting materiality of plane crashes K Williams The Journal of Media Art Study and Theory 1 (2), 124-147, 2020 | | 2020 |
