| Defending the “improvisation as conversation” model of improvised musical performance S McAuliffe Jazz Perspectives 13 (1), 39-51, 2021 | 9 | 2021 |
| Improvisation in Music and Philosophical Hermeneutics S McAuliffe Bloomsbury Publishing, 2023 | 5 | 2023 |
| Improvising the Round Dance of Being S McAuliffe, J Malpas Heidegger and Music, 163, 2022 | 5 | 2022 |
| Beyond the Performer: Gadamer, Pareyson, and the Hermeneutics of Improvised Musical Performance S McAuliffe Journal of Aesthetics and Phenomenology 8 (2), 119-133, 2021 | 5 | 2021 |
| Improvisation as Original Ethics: Exploring the Ethical in Heidegger and Gadamer from a Musical Perspective S McAuliffe Journal of Applied Hermeneutics, 1-15, 2021 | 4 | 2021 |
| The Significance of Improvisation in the Age of Technology S McAuliffe Critical Horizons 21 (4), 352-366, 2020 | 3 | 2020 |
| Revealing Sonic Wisdom in the Works of Cat Hope S McAuliffe, C Hope Organised Sound 25 (3), 327-332, 2020 | 2 | 2020 |
| Studying Sonorous Objects to Develop Frameworks for Improvisation S McAuliffe Organised Sound 22 (3), 369, 2017 | 2 | 2017 |
| Contemporary musical virtuosities L Devenish, C Hope, S McAuliffe Contemporary Musical Virtuosities, 1-13, 2024 | 1 | 2024 |
| The Inseparability of Player (s) and Artwork in Improvised Musical Performance S McAuliffe Critical Studies in Improvisation / Études critiques en improvisation 15 (1), 11, 2022 | 1 | 2022 |
| The Horizonal Field of Improvised Musical Performance S McAuliffe Journal of Aesthetic Education 55 (2), 78-95, 2021 | 1 | 2021 |
| Introduction S McAuliffe Gadamer, Music, and Philosophical Hermeneutics, 1-16, 2023 | | 2023 |
| Approaching Hermeneutics Through Music S McAuliffe Gadamer, Music, and Philosophical Hermeneutics, 273-285, 2023 | | 2023 |
| Gadamer, Music, and Philosophical Hermeneutics S McAuliffe Springer Nature, 2023 | | 2023 |
| Improvisation, Ontology, and Davidson: Exploring the Improvisational Character of Language and Jazz S McAuliffe Context 48, 21–33, 2023 | | 2023 |
| Exploring sonic worlds: the significance of instrumentality S McAuliffe, L Devenish Performance Philosophy 8 (1), 23-43, 2023 | | 2023 |
| Reassessing the Role of Subjectivity in Improvised Musical Performance S McAuliffe Critical Studies in Improvisation 15 (1), 1-11, 2022 | | 2022 |
| Situating Improvisation: Exploring the Topology of Music and Hermeneutics S McAuliffe Monash University, 2021 | | 2021 |
| David Brown: An Undocumented Seminal Figure Within the Australian Improvised Music Community S McAuliffe Reinvention: an International Journal of Undergraduate Research 9 (1), 2016 | | 2016 |
| Responding to Sounds of the Environment: Developing Strategies for Improvised Musical Performance S McAuliffe Monash University, 2016 | | 2016 |
Cat HopeProfessor of Music, Sir Zelman Cowen School of Music and Performance, Monash UniversityVerified email at monash.edu
