| Modelling music with grammars: formal language representation in the Bol Processor B Bel, J Kippen Computer representations and models in music, 207-238, 1992 | 75 | 1992 |
| Bol processor grammars B Bel, J Kippen Understanding music with AI, 366-400, 1992 | 48 | 1992 |
| Computational musicology B Bel, B Vecchione Computers and the Humanities 27 (1), 1-5, 1993 | 40 | 1993 |
| The identification and modelling of a percussion ‘language,’and the Emergence of Musical Concepts in a machine-learning experimental set-up J Kippen, B Bel Computers and the Humanities 23, 199-214, 1989 | 39 | 1989 |
| Symbolic and sonic representations of sound-object structures B Bel Understanding Music with AI: Perspectives on music cognition, 64-109, 1992 | 35 | 1992 |
| Le caractère spontané dans la parole et le chant improvisés: de la structure intonative au mélisme G Caelen-Haumont, B Bel Revue Parole, 251-302, 2000 | 29 | 2000 |
| Migrating musical concepts: An overview of the Bol processor B Bel Computer Music Journal 22 (2), 56-64, 1998 | 29 | 1998 |
| Can a computer help resolve the problem of ethnographic description? J Kippen, B Bel Anthropological Quarterly, 131-144, 1989 | 29 | 1989 |
| Time and musical structures B Bel Journal of New Music Research 19 (2-3), 107-135, 1990 | 22 | 1990 |
| Modelling improvisatory and compositional processes B Bel Languages of Design, Formalisms for Word, Image and Sound 1 (1), 11-26, 1992 | 19 | 1992 |
| Speech Prosody 2002 B Bel, I Marlien Aix-en-Provence: Laboratoire Parole et Langage, 2002 | 17 | 2002 |
| Computers, Composition and the Challenge of" New Music" in Modern India J Kippen, B Bel Leonardo Music Journal 4 (1), 79-84, 1994 | 17 | 1994 |
| Le Centre de Ressources pour la Description de l'Oral (CRDO) B Bel, P Blache Travaux Interdisciplinaires du Laboratoire Parole et Langage 25, 13-18, 2006 | 16 | 2006 |
| Subjectivité et émotion dans la prosodie de parole et du chant: espace, coordonnées et paramètres G Caelen-Haumont, B Bel Colloque international Emotions, Interactions & Développement, 141-147, 2001 | 16 | 2001 |
| Rationalizing musical time: syntactic and symbolic-numeric approaches B Bel The Ratio Book, 86-101, 2001 | 15 | 2001 |
| Raga: approches conceptuelles et expérimentales B Bel Actes du colloque" Structures Musicales et Assistance Informatique", 1988 | 14 | 1988 |
| Media and mediation B Bel Sage, 2005 | 13 | 2005 |
| Construing a “new media” market: merchandising the talking machine, c1900–1913 V Parthasarathi Media and mediation, 165-198, 2005 | 11 | 2005 |
| Digital curation at the service of endangered languages B Bel, M Gasquet-Cyrus Endangered Languages and New Technologies, Cambridge, Cambridge University Press, 2014 | 10 | 2014 |
| Communication, culture and confrontation B Bel, J Brouwer, B Das, G Poitevin SAGE Publications, Inc., 2010 | 10 | 2010 |
Vibodh ParthasarathiCentre for Culture, Media & Governance, Jamia Millia IslamiaVerified email at jmi.ac.in
