| Sexualizing Space S Best Sexy Bodies: The Strange Carnalities of Feminism, 181-194, 1995 | 170* | 1995 |
| Visualizing Feeling: Affect and the Feminine Avant-garde S Best I B Tauris, 2011 | 130 | 2011 |
| Reparative aesthetics: Witnessing in contemporary art photography S Best Bloomsbury Publishing, 2016 | 60 | 2016 |
| The serial spaces of Ana Mendieta S Best Art History 30 (1), 57-82, 2007 | 57 | 2007 |
| Rethinking Visual Pleasure: Aesthetics and Affect S Best Theory and Psychology 17 (4), 504-514, 2007 | 31* | 2007 |
| What is Affect? Considering the affective dimension of contemporary installation S Best Australian and New Zealand Journal of Art 2 (2), 207-25, 2002 | 29* | 2002 |
| Minimalism, Subjectivity and Aesthetics: Rethinking the Anti-Aesthetic Tradition in Late-Modern Art S Best Journal of Visual Arts Practice 5 (3), 127-142, 2006 | 24 | 2006 |
| The Trace and the Body S Best 1st Liverpool Biennial of International Contemporary Art: Trace, 172-7, 1999 | 20 | 1999 |
| Foundations of Femininity: Berlei Corsets and the (Un)making of the Modern Body S Best Continuum 5 (1), 191-214, 1991 | 15 | 1991 |
| The Boundary Rider: A Response to Beatriz Colomina S Best Rethinking Borders, 93-101, 1996 | 10* | 1996 |
| What is a feminist exhibition? Considering Contemporary Australia: Women S Best Journal of Australian Studies 40 (2), 190-202, 2016 | 9 | 2016 |
| Public Art in the Olympic City S Best Architecture Australia 89 (4), 80-85, 2000 | 9 | 2000 |
| Driving Like a Boy: Sexual Difference, Embodiment and Space S Best Imagining Australian Space: Cultural Studies and Spatial Inquiry, 93-101, 1999 | 9 | 1999 |
| Emplacement and Infinity S Best Uncertain Ground: Essays between Art and Nature, 61-75, 1999 | 8 | 1999 |
| Lygia Clark (1920-1988) Bodily Sensation and Affect: Expression as Communion S Best Australian and New Zealand Journal of Art 6 (2), 82-104, 2006 | 7 | 2006 |
| Immersion and distraction: the environmental works of Janet Laurence. S Best Art and Australia 38 (1), 84-91, 2000 | 7 | 2000 |
| This Style Which Is Not One S Best Dissonance: Feminism and the Arts 1970-90, 154-168, 1994 | 7* | 1994 |
| Anger and Repair: the art and politics of Judy Watson's the holes in the land S Best Third Text, 2018 | 6 | 2018 |
| Lygia Clark, the Paris Years: The Body as Medium and Material." S Best The Aesthetics of Matter 3, 292-301, 2013 | 5 | 2013 |
| It's not personal: Post 60s body art and performance S Best Bloomsbury Publishing, 2021 | 4 | 2021 |
Ann StephenSenor Curator, University Art Gallery, The University of SydneyVerified email at sydney.edu.au
Ann StephenSenor Curator, University Art Gallery, The University of SydneyVerified email at sydney.edu.au