| Conceptual design for intimal: a physical/virtual embodied system for relational listening XA Díaz The Journal of Somaesthetics 4 (2), 2019 | 11 | 2019 |
| Creating sounding underground X Alarcón Digital Creativity 24 (3), 252-258, 2013 | 10 | 2013 |
| From collecting an archive to artistic practice in the INTIMAL project: lessons learned from listening to a Colombian migrant women’s oral history archive X Alarcón Díaz, LN Lopez Bojórquez, O Lartillot, H Flamtermesky Acervo. Revista do Arquivo Nacional 32 (3), 48-63, 2019 | 8 | 2019 |
| Sensing place and presence in an intimal long-distance improvisation X Alarcon Diaz, P Boddie, C Erdem, E Aandahl, E Sukken Andersen, ... Journal of Network Music and Arts 1 (1), 3, 2019 | 8 | 2019 |
| INTIMAL: Walking to feel place, breathing to feel presence X Alarcón Díaz, VE Gonzalez Sanchez, C Erdem Proceedings of the International Conference on New Interfaces for Musical …, 2019 | 8 | 2019 |
| Networked Migrations: Listening to and performing the in-between space X Alarcón Liminalities: A journal of performance studies 10 (1), 2014 | 8 | 2014 |
| Evaluation in public art: The light logic exhibition X Alarcón-Díaz, K Askaroff, L Candy, EA Edmonds, J Faram, G Hobson Interactive experience in the digital age: evaluating new art practice, 187-208, 2014 | 8 | 2014 |
| Conceptual design for INTIMAL: a physical/virtual embodied system for relational listening. Somaesthetics and technology X Alarcón Journal of Somaesthetics 4 (2), 6-24, 2019 | 7 | 2019 |
| An interactive sonic environment derived from commuters' memories of the soundscape: a case study of the London Underground X Alarcón Díaz De Montfort University, 2007 | 6 | 2007 |
| Ellos no están entendiendo nada X Alarcón Díaz, A Refsum Jensenius They are not understanding anything”]: Embodied remembering as complex …, 2019 | 5* | 2019 |
| Pauline Oliveros: A shared resonance X Alarcon, R Herrema Organised Sound 22 (1), 7-10, 2017 | 5 | 2017 |
| Telematic Embodiments: Improvising via the Internet in the context of migration X Alarcón Nadace Agosto Foundation, 2015 | 5 | 2015 |
| On dis-location: listening and re-composing with others X Alarcón Diaz Reflections on Process in Sound, 24-37, 2017 | 4 | 2017 |
| Telematic Sonic Performance Part 1: A Short Introduction X Alarcón The Sampler 26, 2020 | 3 | 2020 |
| Sonic Migrations: listening in-between, sensing place X Alarcon Oxford University Press, 2016 | 3 | 2016 |
| Sounding underground: listening, performing and transforming the commuting experience X Alarcón Sensate Journal: A Journal for experiments in Critical Media Practice, 2011 | 3 | 2011 |
| Breathing (as Listening): An emotional bridge for telepresence X Alarcón-Díaz The Body in Sound, Music and Performance, 243-264, 2022 | 1 | 2022 |
| Sonic Proximities: Locating Oneself and the Others Within a “Migratory Journey” X Alarcon Diaz Journal of Network Music and Arts 4 (1), 2, 2022 | 1 | 2022 |
| Tuning the Interface for Relational Listening X Alarcón EMuTe Lab, University of Sussex in collaboration with REFRAME Books, 2016 | 1 | 2016 |
| Memorias sonoras que acumula el cuerpo al viajar por debajo de la tierra X Alarcón Resonancias: Revista de investigación musical, 2014 | 1 | 2014 |
