Mitchell Whitelaw
Mitchell Whitelaw
Professor in Design, Australian National University
Verified email at anu.edu.au - Homepage
Title
Cited by
Cited by
Year
Metacreation: art and artificial life
M Whitelaw
Mit Press, 2004
2962004
Generous Interfaces for Digital Cultural Collections
M Whitelaw
Digital Humanities Quarterly 9 (1), 2015
1512015
Ten questions concerning generative computer art
J McCormack, O Bown, A Dorin, J McCabe, G Monro, M Whitelaw
Leonardo 47 (2), 135-141, 2014
662014
FCJ-067 Art Against Information: Case Studies in Data Practice
M Whitelaw
The Fibreculture Journal, 2008
552008
A framework for understanding generative art
A Dorin, J McCabe, J McCormack, G Monro, M Whitelaw
Digital Creativity 23 (3-4), 239-259, 2012
452012
Digital learning communities (dlc): Investigating the application of social software to support networked learning
R Fitzgerald, S Barass, A Bruns, J Campbell, S Hinton, A Miles, ...
EdMedia+ Innovate Learning, 2805-2808, 2007
432007
Playing games with reality: Only fish shall visit and interactive documentary
M Whitelaw
Assaig per al catŕleg del documental Halfeti: Only fish shall visit, de …, 2002
40*2002
Synesthesia and cross-modality in contemporary audiovisuals
M Whitelaw
The Senses and Society 3 (3), 259-276, 2008
362008
Towards generous interfaces for archival collections
M Whitelaw
Proceedings of International Council on Archives Congress, 2012
352012
Listening to the mind listening: An analysis of sonification reviews, designs and Correspondences
S Barrass, M Whitelaw, F Bailes
Leonardo Music Journal, 13-19, 2006
312006
HOW WE DRAW TEXTS: A REVIEW OF APPROACHES TO TEXT VISUALIZATION AND EXPLORATION.
J Nualart-Vilaplana, M Pérez-Montoro, M Whitelaw
El profesional de la información 23 (3), 2014
29*2014
System stories and model worlds: A critical approach to generative art
M Whitelaw
Readme 100, 135-154, 2005
292005
Breeding aesthetic objects: Art and artificial evolution
M Whitelaw
Creative evolutionary systems, 129-III, 2002
292002
Exploring the digital commons: an approach to the visualisation of large heritage datasets
S Hinton, M Whitelaw
Electronic visualisation and the arts (EVA 2010), 51-58, 2010
262010
Visualising archival collections: The visible archive project
M Whitelaw
Archives and Manuscripts 37 (2), 22, 2009
26*2009
Sound particles and microsonic materialism
M Whitelaw
Contemporary music review 22 (4), 93-101, 2003
242003
Strange ontologies in digital culture
M Whitelaw, M Guglielmetti, T Innocent
Computers in Entertainment (CIE) 7 (1), 1-13, 2009
212009
The Abstract Organism: Towards a Prehistory for A-Life Art
M Whitelaw
Leonardo 34 (4), 345-348, 2001
202001
The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification
RT Dean, M Whitelaw, H Smith, D Worrall
Contemporary Music Review 25 (4), 311-326, 2006
192006
Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization
TP Tom Schofield, David Kirk, Marian Dörk, Mitchell Whitelaw, Guy Schofield
Digital Humanities Quarterly 9 (3), 2015
18*2015
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