| Oh Boy! Masculinities and Popular Music F Jarman-Ivens (ed.) Routledge, 2013 | 150 | 2013 |
| Honour among Nations? Treaties and Agreements with Indigenous People M Langton, M Tehan, L Palmer, K Shain (eds) Melbourne University Publishing, 2004 | 129 | 2004 |
| Reflections and Voices: Exploring the Music of Yothu Yindi with Mandawuy Yunupiŋu A Corn Sydney University Press, 2009 | 47 | 2009 |
| Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians K Barney Lyrebird Press lyrebirdpress. music. unimelb. edu. au, 2014 | 43 | 2014 |
| Rom and the Academy repositioned: Binary models in Yolŋu intellectual traditions and their application to wider intercultural dialogues A Corn, J Gumbula Boundary Writing: An Exploration of Race, Culture and Gender Binaries in …, 2006 | 39 | 2006 |
| Land, song, constitution: Exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu A Corn Popular Music 29 (1), 81-102, 2010 | 35 | 2010 |
| Information Technology and Indigenous Communities L Ormond-Parker, A Corn, C Fforde, K Obata, S O’Sullivan AIATSIS Research Publications, 2013 | 29 | 2013 |
| Boundary Writing: An Exploration of Race, Culture, and Gender Binaries in Contemporary Australia L Russell University of Hawaii Press, 2006 | 27 | 2006 |
| ’Now Balanda Say We Lost Our Land in 1788’: Challenges to the Recognition of Yolŋu Law in Contemporary Australia A Corn, N Gumbula Open Conference Systems, University of Sydney, Faculty of Arts, 2004 | 26 | 2004 |
| Budutthun ratja wiyinymirri: formal flexibility in the Yolngu manikay tradition and the challenge of recording a complete repertoire A Corn, N Gumbula Australian Aboriginal Studies, 116-127, 2007 | 25 | 2007 |
| Budutthun ratja wiyinymirri: formal flexibility in the Yolngu manikay tradition and the challenge of recording a complete repertoire A Corn, N Gumbula Australian Aboriginal Studies, 116-127, 2007 | 25 | 2007 |
| The national recording project for indigenous performance in Australia: Year one in review A Marett, M Yunupingu, M Langton, N Gumbula, L Barwick, A Corn Australia Council for the Arts, 2006 | 25 | 2006 |
| Dreamtime wisdom, modern-time vision: tradition and innovation in the popular band movement of Arnhem Land, Australia ADS Corn University of Melbourne, Faculty of Music, 2002 | 24 | 2002 |
| Matjabala Mali’Buku-Ruŋanmaram: implications for archives and access in Arnhem Land N Gumbula, A Corn, J Mant Archival Science 9, 7-14, 2009 | 23 | 2009 |
| Sustaining Australia's Indigenous music and dance traditions: The role of the National Recording Project for Indigenous performance in Australia A Corn Musicology Australia 35 (2), 268-284, 2013 | 21 | 2013 |
| Trepang: China and the Story of Macassan-Aboriginal Trade M Langton, ADS Corn, D Garawirrtja, A Duschatsky, S Holt, A Marett, ... Centre for Cultural Materials Conservation-University of Melbourne, 2011 | 21 | 2011 |
| Sound Exchanges: An Ethnomusicologist's Approach to Interdisciplinary Teaching and Learning in Collaboration with a Remote Indigenous Australian Community A Corn The world of music, 21-50, 2009 | 21 | 2009 |
| Ancestral precedent as creative inspiration: The influence of soft sands on popular song composition in Arnhem Land A Corn, N Gumbula The Power of Knowledge, The Resonance of Tradition: Electronic Publication …, 2001 | 20 | 2001 |
| When the waters will be one: Hereditary performance traditions and the Yolηu re‐invention of post‐Barunga intercultural discourses A Corn Journal of Australian Studies 28 (84), 23-34, 2005 | 18 | 2005 |
| Ancestral, corporeal, corporate: traditional Yolŋu understandings of the body explored A Corn Borderlands 7 (2), 1-17, 2008 | 16 | 2008 |
