| Introduction: hearing voices M Robson Paragraph 28 (1), 1-12, 2005 | 80* | 2005 |
| Stephen Greenblatt M Robson Routledge, 2007 | 76* | 2007 |
| Language in theory M Robson, P Stockwell Routledge, 2005 | 64 | 2005 |
| Dzielenie postrzegalnego: estetyka i polityka J Rancière, M Robson Korporacja Ha! art, 2007 | 35 | 2007 |
| Jacques Rancière's aesthetic communities M Robson Paragraph 28 (1), 77-95, 2005 | 35 | 2005 |
| ‘A literary animal’: Rancière, Derrida, and the Literature of Democracy M Robson Parallax 15 (3), 88-101, 2009 | 32 | 2009 |
| The Ethics of Anonymity M Robson The Modern Language Review, 350-363, 2008 | 23* | 2008 |
| Looking with ears, hearing with eyes: Shakespeare and the ear of the early modern M Robson Early Modern Literary Studies 7 (1), 10.1-23, 2001 | 19 | 2001 |
| The Sense of Early Modern Writing: Rhetoric M Robson Poetics, Aesthetics, 2006 | 17 | 2006 |
| Swansongs: Reading Voice in the Poetry of Lady Hester Pulter M Robson ENGLISH MANUSCRIPT STUDIES 1100-1700 9, 238-256, 2000 | 17 | 2000 |
| Shakespeare, Jonson, and the Claims of the Performative J Loxley, M Robson Routledge, 2013 | 15 | 2013 |
| Shakespeare's words of the future: promising Richard III M Robson Textual Practice 19 (1), 13-30, 2005 | 15 | 2005 |
| The baby bomber M Robson Journal of Visual Culture 3 (1), 63-76, 2004 | 15 | 2004 |
| Jacques Rancière and Time: le temps d'après M Robson Paragraph 38 (3), 297-311, 2015 | 13 | 2015 |
| The sense of early modern writing: rhetoric, poetics, aesthetics M Robson Manchester University Press, 2006 | 13* | 2006 |
| Reading Hester Pulter Reading M Robson Literature Compass 2 (1), **-**, 2005 | 11 | 2005 |
| The limits of death: between philosophy and psychoanalysis J Morra, M Robson, M Smith Manchester University Press, 2000 | 10 | 2000 |
| Defending Poetry, or, Is There an Early Modern Aesthetic? M Robson The New Aestheticism, 119-130, 2003 | 9* | 2003 |
| What is Literature?: A Critical Anthology M Robson John Wiley & Sons, 2020 | 7 | 2020 |
| Theatre & Death M Robson | 7 | 2019 |
James LoxleyProfessor of Early Modern Literature, University of EdinburghVerified email at ed.ac.uk
