| Scorsese's men: melancholia and the mob M Nicholls Indiana University Press, 2004 | 42 | 2004 |
| Male Melancholia and Martin Scorsese's The Age of Innocence M Nicholls Film Quarterly 58 (1), 25-35, 2004 | 17 | 2004 |
| Cold War Cultures and Globalisation: Art and Film in Italy: 1946–1963 A Gardner, M Nicholls, A White Third Text 26 (2), 205-215, 2012 | 9 | 2012 |
| Lost objects of desire: the performances of Jeremy Irons M Nicholls Berghahn Books, 2012 | 8 | 2012 |
| Sam Mendes’ Revolutionary Road and the Talent to Bemuse M Nicholls Quarterly Review of Film and Video 29 (4), 329-337, 2012 | 8 | 2012 |
| Brush Up Your Shakespeare: Performance Anxieties in Shakespeare in Love M Nicholls Journal of Film and Video 54 (4), 3-15, 2002 | 6 | 2002 |
| 'Il gesto': Global art and Italian gesture painting in the 1950s M Nicholls, A White Humanities Research 19 (2), 81-97, 2013 | 4 | 2013 |
| Gen. Italia: Class, Sexuality and the Melodrama of Migration in Italian-Australian Cinema M Nicholls The Transdisciplinary Journal of Emergence 2 (2), 1-15, 2004 | 4 | 2004 |
| She Who Gets Slapped: Jane Campion’s Portrait of a Lady’ M Nicholls Metro: Film, Television, Radio & Multimedia Journal, 43-17, 1997 | 3 | 1997 |
| From divestment to due resolution: King Lear and the New York fabulists, 1989-92 M Nicholls Journal of Film and Video 65 (3), 3-13, 2013 | 2 | 2013 |
| Martin Scorsese (1942–) MD Nicholls A Companion to Crime Fiction, 553-561, 2010 | 2 | 2010 |
| Freud and Gidget go to Rome but uncle Sam doesn’t: The roman fever films 1953-1963 M Nicholls Italian Studies in Southern Africa/Studi d'Italianistica nell'Africa …, 2005 | 2 | 2005 |
| My Victims, My Melancholia: Raging Bull and Vincente Minelli’s The Bad and the Beautiful M Nicholls Martin Scorsese’s, 116-34, 2005 | 2 | 2005 |
| Martin Scorsese's Kundun: A Melancholic Momentum M Nicholls Metro Magazine: Media & Education Magazine, 11-14, 1998 | 2 | 1998 |
| Abjection beyond Tears: Ellyn Burstyn as Liminal (On Set) Mother in The Exorcist M Nicholls Re-reading the Monstrous-Feminine, 106-120, 2019 | 1 | 2019 |
| Marriage, Romance and Mourning Movement in Cherie Nowlan’s Thank God He Met Lizzie M Nicholls Journal of Popular Romance Studies 4 (2), 2014 | 1 | 2014 |
| The Machine Gun in the Violin Case: Martin Scorsese, Mean Streets and the Gangster Musical Art Melodrama M Nicholls Cross-Cultural Connections in Crime Fictions, 106-120, 2012 | 1 | 2012 |
| Visconti's Il gattopardo: Melancholia and the Radical Sensibility M Nicholls Quarterly Review of Film and Video 23 (2), 97-110, 2006 | 1 | 2006 |
| 'It's Harry I'm Panning to Marry': Oedipal Desire in Carol Reed's The Third Man M Nicholls Australian Screen Education Online, 131-135, 2003 | 1 | 2003 |
| Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps M Nicholls New Theatre Quarterly 39 (2), 124-135, 2023 | | 2023 |
Anthony G WhiteUniversity of MelbourneVerified email at unimelb.edu.au
