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Sam Whiting
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Cited by
Year
‘We love the bands and we want to keep them on the walls’: gig posters as heritage-as-praxis in music venues
C Strong, S Whiting
Continuum 32 (2), 151-161, 2018
242018
The value of small live music venues: Alternative forms of capital and niche spaces of cultural production
S Whiting
Cultural Sociology 15 (4), 558-578, 2021
232021
Access, place and Australian live music
S Whiting, D Carter
M/C Journal 19 (3), 2016
192016
'You're not strangers if you like the same band': small venues, music scenes, and the live music ecology
S Whiting
RMIT University, 2019
182019
'Creative City'RIP?
S Whiting, T Barnett, J O'Connor
M/C Journal 25 (3), 2022
162022
True kvlt? The cultural capital of “Nordicness” in extreme metal
C Hoad, S Whiting
M/C Journal 20 (6), 2017
122017
“If there isn’t skyscrapers, don’t play there!” Rock music scenes, regional touring, and music policy in Australia
I Rogers, S Whiting
Popular Music and Society 43 (4), 450-460, 2020
112020
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive
S Whiting, P Klimentou, I Rogers
Australian Metal Music: Identities, Scenes, and Cultures, 55-70, 2019
102019
An interview with Rebekah Duke: Melbourne's inner-northern live music venues and social scenes
S Whiting
Perfect Beat 16 (1/2), 121, 2015
82015
Small Venues: Precarity, Vibrancy and Live Music
S Whiting
Bloomsbury Publishing USA, 2023
62023
The impact of COVID-19 on music venues in regional South Australia: A case study
R Roberts, S Whiting
Perfect Beat 21 (1), 25-32, 2021
62021
Critical Introduction: What Is ‘Australian’About Australian Heavy Metal?
C Hoad
Australian Metal Music: Identities, Scenes, and Cultures, 1-15, 2019
32019
The live gig
S Whiting
The Bloomsbury Handbook of Popular Music, Space and Place, 241, 2022
12022
The Economic and Cultural Value of Live Music in Australia 2014
S Whiting
University of Tasmania, Live Music Office, Creative City Sydney, City of …, 2015
12015
Cultural labour, income support, and the welfare state: Non-arts funding and funding the arts
S Daughtry, S Whiting
Journal of Sociology, 14407833241309856, 2025
2025
‘A Rising Tide Lifts All Boats’: On a Musician’s Minimum Rate, Cultural Labour, and the Live Music Sector
S Whiting
The Palgrave Handbook of Critical Music Industry Studies, 505-523, 2024
2024
Basic income for creative justice: Weathering inequity in the creative industries during COVID-19
F Cannizzo, C Strong, S Whiting
Journal of Sociology, 14407833241280304, 2024
2024
Small Venues: Precarity, Vibrancy and Live Music
CR Cooling, S Whiting
POPULAR MUSIC AND SOCIETY, 2024
2024
“Before They Come and Pull the Place Apart” 1: Venue Loss and Heritage Value in Melbourne's Music Scenes
C Strong, S Whiting
Interrogating Popular Music and the City, 163-179, 2024
2024
Small Venues
S Whiting
Bloomsbury Publishing, 2023
2023
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