‘We love the bands and we want to keep them on the walls’: gig posters as heritage-as-praxis in music venues C Strong, S Whiting Continuum 32 (2), 151-161, 2018 | 24 | 2018 |
The value of small live music venues: Alternative forms of capital and niche spaces of cultural production S Whiting Cultural Sociology 15 (4), 558-578, 2021 | 23 | 2021 |
Access, place and Australian live music S Whiting, D Carter M/C Journal 19 (3), 2016 | 19 | 2016 |
'You're not strangers if you like the same band': small venues, music scenes, and the live music ecology S Whiting RMIT University, 2019 | 18 | 2019 |
'Creative City'RIP? S Whiting, T Barnett, J O'Connor M/C Journal 25 (3), 2022 | 16 | 2022 |
True kvlt? The cultural capital of “Nordicness” in extreme metal C Hoad, S Whiting M/C Journal 20 (6), 2017 | 12 | 2017 |
“If there isn’t skyscrapers, don’t play there!” Rock music scenes, regional touring, and music policy in Australia I Rogers, S Whiting Popular Music and Society 43 (4), 450-460, 2020 | 11 | 2020 |
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive S Whiting, P Klimentou, I Rogers Australian Metal Music: Identities, Scenes, and Cultures, 55-70, 2019 | 10 | 2019 |
An interview with Rebekah Duke: Melbourne's inner-northern live music venues and social scenes S Whiting Perfect Beat 16 (1/2), 121, 2015 | 8 | 2015 |
Small Venues: Precarity, Vibrancy and Live Music S Whiting Bloomsbury Publishing USA, 2023 | 6 | 2023 |
The impact of COVID-19 on music venues in regional South Australia: A case study R Roberts, S Whiting Perfect Beat 21 (1), 25-32, 2021 | 6 | 2021 |
Critical Introduction: What Is ‘Australian’About Australian Heavy Metal? C Hoad Australian Metal Music: Identities, Scenes, and Cultures, 1-15, 2019 | 3 | 2019 |
The live gig S Whiting The Bloomsbury Handbook of Popular Music, Space and Place, 241, 2022 | 1 | 2022 |
The Economic and Cultural Value of Live Music in Australia 2014 S Whiting University of Tasmania, Live Music Office, Creative City Sydney, City of …, 2015 | 1 | 2015 |
Cultural labour, income support, and the welfare state: Non-arts funding and funding the arts S Daughtry, S Whiting Journal of Sociology, 14407833241309856, 2025 | | 2025 |
‘A Rising Tide Lifts All Boats’: On a Musician’s Minimum Rate, Cultural Labour, and the Live Music Sector S Whiting The Palgrave Handbook of Critical Music Industry Studies, 505-523, 2024 | | 2024 |
Basic income for creative justice: Weathering inequity in the creative industries during COVID-19 F Cannizzo, C Strong, S Whiting Journal of Sociology, 14407833241280304, 2024 | | 2024 |
Small Venues: Precarity, Vibrancy and Live Music CR Cooling, S Whiting POPULAR MUSIC AND SOCIETY, 2024 | | 2024 |
“Before They Come and Pull the Place Apart” 1: Venue Loss and Heritage Value in Melbourne's Music Scenes C Strong, S Whiting Interrogating Popular Music and the City, 163-179, 2024 | | 2024 |
Small Venues S Whiting Bloomsbury Publishing, 2023 | | 2023 |