| Keeping promises to queer children: Making space (for Mary Sue) at Hogwarts I Willis | 130 | 2006 |
| Reception. The New Critical Idiom I Willis London and New York: Routledge Search in, 2018 | 118* | 2018 |
| Now and Rome: Lucan and Vergil as theorists of politics and space I Willis Bloomsbury Publishing, 2010 | 35 | 2010 |
| Amateur mythographies: Fan fiction and the myth of myh I Willis | 23 | 2016 |
| The empire never ended I Willis | 21 | 2007 |
| Writing the Fables of Sexual Difference: Slash Fiction as Technology of Gender I Willis Parallax 22 (3), 290-311, 2016 | 17 | 2016 |
| The classical canon and/as transformative work I Willis | 11 | 2016 |
| Fan Fiction and Fan Communities in the Age of the Internet: New Essays I Willis, K Hellekson, K Busse McFarland, 2006 | 11 | 2006 |
| Introduction: Trans-: Across/Beyond N Chare, I Willis Parallax 22 (3), 267-289, 2016 | 10 | 2016 |
| Contemporary mythography: In the time of ancient gods, warlords, and kings I Willis A handbook to the Reception of Classical Mythology, 105-120, 2017 | 9 | 2017 |
| Slash as queer utopia I Willis | 9 | 2007 |
| Reception theory, reception history, reception studies I Willis Oxford Research Encyclopedia of Literature, 2021 | 7 | 2021 |
| Eros in the Age of Technical Reproductibility I Willis Derrida and Antiquity, 342-369, 2010 | 7 | 2010 |
| " She Who Steps Along": Gradiva, Telecommunications, History I Willis Helios 1 (2), 223-242, 2007 | 7 | 2007 |
| In praise of trigger warnings I Willis | 5 | 2016 |
| Tu Marcellus Eris: Nachträglichkeit in Aeneid 6 I Willis Classical Myth and Psychoanalysis: Ancient and Modern Stories of the Self …, 2013 | 5 | 2013 |
| The origins of deconstruction M McQuillan, I Willis Palgrave Macmillan, 2010 | 5 | 2010 |
| Reception, Abingdon I Willis Routledge, 2017 | 4 | 2017 |
| Transgender identification: slash fiction and the erotics of reception I Willis | 3 | 2010 |
| " IAM TUM"(NOWTHENALREADY): LATIN EPIC AND THE POSTHISTORICAL I Willis Cultural Critique, 51-64, 2010 | 3 | 2010 |
