| Subjective evaluation of multichannel sound with surround-height channels S Kim, D Ko, A Nagendra, W Woszczyk Audio Engineering Society Convention 135, 2013 | 27 | 2013 |
| An examination of the influence of musical selection on listener preferences for multichannel microphone technique S Kim, M de Francisco, K Walker, A Marui, WL Martens Proc. of the AES 28th International Conference,”(Piteå, Sweden, 2006), 2006 | 21 | 2006 |
| Perception of simultaneity and detection of asynchrony between audio and structural vibration in multimodal music reproduction S Kim, WL Martens, K Walker Audio Engineering Society Convention 120, 2006 | 18 | 2006 |
| Virtual Ceiling Speaker: Elevating auditory imagery in a 5-channel reproduction S Kim, M Ikeda, A Takahashi, Y Ono, WL Martens Audio Engineering Society Convention 127, 2009 | 17 | 2009 |
| The'Phantom Walker'illusion: Evidence for the dominance of dynamic interaural over spectral directional cues during walking WL Martens, D Cabrera, S Kim Principles and applications of spatial hearing, 81-102, 2011 | 16 | 2011 |
| A cross-cultural comparison of salient perceptual characteristics of height channels for a virtual auditory environment TK Sungyoung Kim, Richard King Virtual Reality 19 (3), 149-160, 2015 | 13 | 2015 |
| Investigating contextual dependency in a pairwise preference choice task WL Martens, A Marui, S Kim Proc. Audio Engineering Society 28th Int. Conf. on The Future of Audio …, 2006 | 13 | 2006 |
| Effect of audio production experience, musical training, and age on listener performance in 3D audio evaluation W Howie, D Martin, S Kim, T Kamekawa, R King Journal of the Audio Engineering Society 67 (10), 782-794, 2019 | 12 | 2019 |
| Height channels S Kim Immersive Sound, 221-243, 2017 | 12 | 2017 |
| How critical listening exercises complement technical courses to effectively provide audio education for engineering technology students MJ Indelicato, C Hochgraf, S Kim Audio Engineering Society Convention 137, 2014 | 12 | 2014 |
| Inter-subject differences in personalized technical ear training and the influence of an individually optimized training sequence S Kim, T Kaniwa, H Terasawa, T Yamada, S Makino Acoustical Science and Technology 34 (6), 424-431, 2013 | 12 | 2013 |
| An optimized pair-wise constant power panning algorithm for stable lateral sound imagery in the 5.1 reproduction system S Kim, M Ikeda, A Takahashi Audio Engineering Society Convention 125, 2008 | 11 | 2008 |
| An assessment of individualized technical ear training for audio production S Kim The Journal of the Acoustical Society of America 138 (1), EL110-EL113, 2015 | 10 | 2015 |
| Reproducing virtually elevated sound via a conventional home-theater audio system S Kim, M Ikeda, WL Martens Journal of the Audio Engineering Society 62 (5), 337-344, 2014 | 10 | 2014 |
| Towards a personalized technical ear training program: An investigation of the effect of adaptive feedback T Kaniwa, S Kim, H Terasawa, M Ikeda, T Yamada, S Makino Proceedings of the SMC, 439-43, 2011 | 10 | 2011 |
| Listener preferences in multichannel audio: Examining the influence of musical selection on surround microphone technique S Kim, M DeFrancisco, K Walker, A Marui, WL Martens Proceedings of 28th International Conference (to appear), Pite a, Sweden, 2006 | 10 | 2006 |
| Predicting listener preferences for surround microphone technique through binaural signal analysis of loudspeaker-reproduced piano performances S Kim, WL Martens, A Marui, K Walker 121th AES Convention 6919, 2006 | 8 | 2006 |
| Recording piano in surround: Discovering preferences, investigating auditory imagery, and establishing physical predictors S Kim McGill University, 2009 | 7 | 2009 |
| Timbre preferences of four listener groups and the influence of their cultural backgrounds S Kim, R Bakker, M Ikeda Audio Engineering Society Convention 140, 2016 | 6 | 2016 |
| Active field control using sound field generation techniques Case study of a live concert at a virtual Renaissance church T Watanabe, M Ikeda, S Kim Proceedings of Meetings on Acoustics 19 (1), 2013 | 6 | 2013 |
William L. MartensNational Acoustic LaboratoriesVerified email at nal.gov.au
