| Music and affordances WL Windsor, C De Bézenac Musicae scientiae 16 (1), 102-120, 2012 | 191 | 2012 |
| Through and around the acousmatic: the interpretation of electroacoustic sounds L Windsor Music, electronic media and culture, 7-35, 2000 | 164* | 2000 |
| Collaboration and the Composer: Case Studies from the End of the 2oth Century S Hayden, L Windsor Tempo 61 (240), 28-39, 2007 | 121 | 2007 |
| A perceptual approach to the description and analysis of acousmatic music WL Windsor City University London, 1995 | 120 | 1995 |
| An ecological approach to semiotics WL Windsor Journal for the theory of social behaviour 34 (2), 179-198, 2004 | 109 | 2004 |
| Expressive timing and dynamics in real and artificial musical performances: Using an algorithm as an analytical tool WL Windsor, EF Clarke Music Perception 15 (2), 127-152, 1997 | 97 | 1997 |
| Effects of tempo on the timing of simple musical rhythms BH Repp, W Luke Windsor, P Desain Music Perception 19 (4), 565-593, 2002 | 81 | 2002 |
| Rhythm perception and production P Desain, L Windsor Swets & Zeitlinger Publishers, 2000 | 81 | 2000 |
| Gestures in music-making: Action, information and perception WL Windsor New perspectives on music and gesture, 45-66, 2016 | 79 | 2016 |
| A review of the effect of music on dental anxiety in children SL Ainscough, L Windsor, JF Tahmassebi European Archives of Paediatric Dentistry 20, 23-26, 2019 | 75 | 2019 |
| Real and simulated expression: A listening study EF Clarke, WL Windsor Music Perception 17 (3), 277-313, 2000 | 56 | 2000 |
| Make me a match: An evaluation of different approaches to score-performance matching H Heijink, P Desain, H Honing, L Windsor Computer Music Journal 24 (1), 43-56, 2000 | 49 | 2000 |
| Dynamic accents and the categorical perception of metre WL Windsor Psychology of Music 21 (2), 127-140, 1993 | 44 | 1993 |
| Computational modeling of music cognition: problem or solution? P Desain, H Honing, H Vanthienen, L Windsor Music Perception 16 (1), 151-166, 1998 | 43 | 1998 |
| Timing of ornaments in the theme from Beethoven's Paisiello Variations: Empirical data and a model R Timmers, R Ashley, P Desain, H Honing, WL Windsor Music Perception 20 (1), 3-33, 2002 | 40 | 2002 |
| Data collection, experimental design, and statistics in musical research WL Windsor Empirical musicology: Aims, methods, prospects, 197-222, 2004 | 39 | 2004 |
| The timing of grace notes in skilled musical performance at different tempi: a preliminary case study L Windsor, R Aarts, P Desain, H Heijink, R Timmers Psychology of Music 29 (2), 149-169, 2001 | 31 | 2001 |
| A structurally guided method for the decomposition of expression in music performance WL Windsor, P Desain, A Penel, M Borkent The Journal of the Acoustical Society of America 119 (2), 1182-1193, 2006 | 27 | 2006 |
| Autonomy, mimesis and mechanical reproduction in contemporary music WL Windsor Contemporary music review 15 (1-2), 139-150, 1996 | 26 | 1996 |
| Using auditory information for events in electroacoustic music WL Windsor Timbre Composition in Electroacoustic Music, 85-93, 1994 | 21* | 1994 |
Peter DesainProfessor of artificial intelligence, Radboud University NijmegenVerified email at donders.ru.nl
