| Art and blockchain: A primer, history, and taxonomy of blockchain use cases in the arts A Whitaker Artivate 8 (2), 21-46, 2019 | 154 | 2019 |
| Fractional equity, blockchain, and the future of creative work A Whitaker, R Kräussl Management Science 66 (10), 4594-4611, 2020 | 96* | 2020 |
| From the artist’s contract to the blockchain ledger: New forms of artists’ funding using equity and resale royalties L van Haaften-Schick, A Whitaker Journal of Cultural Economics 46 (2), 287-315, 2022 | 70 | 2022 |
| Art thinking: How to carve out creative space in a world of schedules, budgets, and bosses A Whitaker Harper Business, 2016 | 45 | 2016 |
| Art, antiquities, and blockchain: new approaches to the restitution of cultural heritage A Whitaker, A Bracegirdle, S De Menil, MA Gitlitz, L Saltos International Journal of Cultural Policy 27 (3), 312-329, 2021 | 38 | 2021 |
| Museum legs: Fatigue and hope in the face of art A Whitaker Hol Art Books, 2009 | 26 | 2009 |
| Artist as owner not guarantor: The art market from the artist’s point of view A Whitaker Visual Resources 34 (1-2), 48-64, 2018 | 25 | 2018 |
| Shared value over fair use: Technology, added value, and the reinvention of copyright A Whitaker Cardozo Arts & Ent. LJ 37, 635, 2019 | 13 | 2019 |
| Artists’ royalties and performers’ equity: A ground-up approach to social impact investment in creative fields A Whitaker, H Grannemann Cultural Management: Science and Education 3 (2), 33-52, 2019 | 12 | 2019 |
| Partnership strategies for creative placemaking in teaching entrepreneurial artists A Whitaker Artivate 6 (2), 23-31, 2017 | 10 | 2017 |
| Economics of Visual Art: Market Practice and Market Resistance A Whitaker | 8 | 2021 |
| Economies of scope in artists’ incubator projects A Whitaker Arts, Entrepreneurship, and Innovation, 95-113, 2022 | 7 | 2022 |
| Art and blockchain: A primer, history, and taxonomy of blockchain use cases in the arts. Artivate, 8 (2), 21-46 A Whitaker | 7 | 2019 |
| Reconsidering people as the institution: Empathy, pay equity, and deaccessioning as key leadership strategies in art museums A Whitaker Curator: The Museum Journal 64 (2), 253-268, 2021 | 6 | 2021 |
| Defining property in the digital environment C Alt, S Moss-Pultz, A Whitaker, T Chen DCG Insights Report, 2016 | 6 | 2016 |
| Panel 1: Digital Art and Digital Collectibles R Blum, SR Schindler, A Whitaker, E Zavelev, C Buccafusco Cardozo Arts & Ent. LJ 37, 567, 2019 | 5 | 2019 |
| Democratizing Art Markets: Fractional Ownership and The Securitization of Art A Whitaker, R Kraussl Semantic Scholar, 2018 | 5 | 2018 |
| Ownership for artists A Whitaker The social life of artistic property, 100-121, 2014 | 5 | 2014 |
| The story of NFTs: artists, technology and democracy A Whitaker, NB Abrams (No Title), 2023 | 4 | 2023 |
| Social exclusion in the arts: The dynamics of social and economic mobility across three decades of undergraduate arts alumni in the United States A Whitaker, GC Wolniak Review of Research in Education 46 (1), 198-228, 2022 | 4 | 2022 |
Roman KräusslProfessor of Finance, Bayes Business School (ex-Cass) and Hoover Institution, Stanford UniversityVerified email at city.ac.uk
