| The Hollywood War Film: Critical Observations from World War I to Iraq D Binns Intellect, 2017 | 20 | 2017 |
| The Netflix documentary house style: Streaming TV and slow media D Binns fusion journal, 60-71, 2018 | 17 | 2018 |
| No Free Tickets: Blockchain and the Film Industry D Binns M/C Journal 25 (2), 2022 | 7 | 2022 |
| Re-viewing D-Day: The cinematography of the Normandy landings from the Signal Corps to Saving Private Ryan D Binns, P Ryder Media, War & Conflict 8 (1), 86-99, 2015 | 6 | 2015 |
| Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen’s Goldstone D Binns Journal of Asia-Pacific Pop Culture 4 (1), 26-41, 2019 | 2 | 2019 |
| " Even you can break": Jessica Jones as Femme Fatale D Binns Jessica Jones, Scarred Superhero, 13-27, 2018 | 2 | 2018 |
| You can't stop her: Elektra re-configured D Binns Marvel Comics Into Film: Essay Adaptations Since the 1940s, 39-51, 2016 | 2 | 2016 |
| Conflict, image, narrative: Hollywood in the Middle East D Binns Southern Semiotic Review 7 (1), 77-99, 2016 | 2 | 2016 |
| Theatres of representation: Discourses of war and cinema D Binns PQDT-Global, 2013 | 2 | 2013 |
| Social Issues in Automated Decision-Making: Draft Version 1.0 C O'Neill, J Sadowski, M Andrejevic, K Lewis, R Lobato, D Binns, ... ARC Centre of Excellence for Automated Decision-Making and Society, 2022 | 1 | 2022 |
| Inscribing and encoding: The point of media-making D Binns Global Media Journal - Australian Edition 16 (1), 2022 | 1 | 2022 |
| Hit/miss: evolving narratives and the semiotics of the blockbuster D Binns Southern Semiotic Review 4, 1-8, 2014 | 1 | 2014 |
| No Free Tickets D Binns | 1 | |
| Bridge Complexity as a Factor in Audience Interaction in Transmedia Storytelling V Selvadurai, P Vistisen, D Binns Journal of Asia-Pacific Pop Culture 7 (1), 85-108, 2022 | | 2022 |
| Material Media-Making in the Digital Age D Binns Intellect Books, 2021 | | 2021 |
| Attuning to the environment through media: Escape and incorporation through fire, plague and video game development software D Binns Journal of Environmental Media 2 (1), 117-130, 2021 | | 2021 |
| Entanglement D Binns Indie Short Fest, 2020 | | 2020 |
| Book review: Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World D Binns Media, War & Conflict 11 (3), 358-360, 2018 | | 2018 |
| Even you can break D Binns Jessica Jones, Scarred Superhero: Essays on Gender, Trauma and Addiction in …, 2018 | | 2018 |
| number_station D Binns, D Verhagen, M Waters Melbourne Music Week, 2018 | | 2018 |
Paul RyderUniversity of New South WalesVerified email at unsw.edu.au
