| Visual code annotations for cyberphysical programming B Swift, A Sorensen, H Gardner, J Hosking 2013 1st International Workshop on Live Programming (LIVE), 27-30, 2013 | 30 | 2013 |
| Chasing a Feeling: Experience in Computer Supported Jamming B Swift Music and human-computer interaction, 85-99, 2013 | 27 | 2013 |
| Tracking ensemble performance on touch-screens with gesture classification and transition matrices C Martin, H Gardner, B Swift arXiv preprint arXiv:2012.00296, 2020 | 14 | 2020 |
| Engagement networks in social music-making B Swift, H Gardner, A Riddell Proceedings of the 22nd Conference of the Computer-Human Interaction Special …, 2010 | 12 | 2010 |
| Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screens C Martin, H Gardner, B Swift, M Martin Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems …, 2016 | 10 | 2016 |
| Exploring percussive gesture on iPads with Ensemble Metatone C Martin, H Gardner, B Swift Proceedings of the SIGCHI conference on human factors in computing systems …, 2014 | 10 | 2014 |
| The many meanings of live coding A Sorensen, B Swift, A Riddell Computer Music Journal 38 (1), 65-76, 2014 | 9 | 2014 |
| Coding livecoding B Swift, A Sorensen, M Martin, H Gardner Proceedings of the SIGCHI Conference on Human Factors in Computing Systems …, 2014 | 7 | 2014 |
| High‐resolution study of the 3D collagen fibrillary matrix of Achilles tendons without tissue labelling and dehydrating JP WU, BJ Swift, T Becker, A Squelch, A Wang, YC ZHENG, X Zhao, J Xu, ... Journal of microscopy 266 (3), 273-287, 2017 | 6 | 2017 |
| Texture analysis of the 3D collagen network and automatic classification of the physiology of articular cartilage X Duan, J Wu, B Swift, TB Kirk Computer methods in biomechanics and biomedical engineering 18 (9), 931-943, 2015 | 6 | 2015 |
| Becoming-sound: affect and assemblage in improvisational digital music making B Swift Proceedings of the SIGCHI conference on human factors in computing systems …, 2012 | 6 | 2012 |
| The Other Side: Algorithm as Ritual in Artificial Intelligence K Browne, B Swift Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing …, 2018 | 5 | 2018 |
| Live programming in scientific simulation B Swift, A Sorensen, H Gardner, P Davis, VK Decyk Supercomputing frontiers and innovations 2 (4), 4-15, 2016 | 5 | 2016 |
| Music of 18 performances: Evaluating apps and agents with free improvisation C Martin, H Gardner, B Swift, M Martin Proceedings of the 2015 Annual Conference of the Australasian Computer Music …, 2015 | 5 | 2015 |
| Mind-modulated music in the mind attention interface B Swift, J Sheridan, Y Zhen, HJ Gardner Proceedings of the 19th Australasian conference on Computer-Human …, 2007 | 5 | 2007 |
| Critical challenges for the visual representation of deep neural networks K Browne, B Swift, H Gardner Human and Machine Learning, 119-136, 2018 | 4 | 2018 |
| MetaTravels and MetaLonsdale: iPad apps for percussive improvisation C Martin, H Gardner, B Swift CHI'14 Extended Abstracts on Human Factors in Computing Systems, 547-550, 2014 | 4 | 2014 |
| InfiniCloud 2.0: distributing High Performance Computing across continents. J Chrzeszczyk, A Howard, A Chrzeszczyk, B Swift, P Davis, J Low, ... Supercomputing Frontiers and Innovations 3 (2), 54-71, 2016 | 3 | 2016 |
| Distributed performance in live coding B Swift, HJ Gardner, A Riddell Australasian Computer Music Association, 2009 | 3 | 2009 |
| Visualising a live coding arts process A Purcell, H Gardner, B Swift Proceedings of the 26th Australian Computer-Human Interaction Conference on …, 2014 | 2 | 2014 |
Henry GardnerResearch School of Computer Science, The Australian National UniversityVerified email at anu.edu.au
