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Margaret McVeigh
Margaret McVeigh
Lecturer Griffith Film School, Griffith University, Australia
Verified email at griffith.edu.au
Title
Cited by
Cited by
Year
Lighting the Fire. Can Creativity Be Taught?
M McVeigh
Screen Education, 56-63, 2014
142014
From Ethnocentrism to Transculturalism: A Film Studies Pedagogical Journey
H Yeates, M McVeigh, T Van Hemert
Cultural Studies Review 17 (No 2), 71-99, 2011
102011
Finding the lightbulb moment: creativity and inspiration in the teaching of the craft of screenwriting
M McVeigh
ASPERA (The Australian Screen Production Education and Research Association …, 2016
92016
Cultural dimensions and an intercultural study of screenwriting
P Cattrysse
Transcultural screenwriting: telling stories for a global world/Brenes …, 2017
82017
Creativity and creative practice: Towards a meta-cognitive domain specific framework for writing and making for the screen
M McVeigh
MIC Creativity Conference, Marconi Institute of Creativity, Bologna Italy, 14-19, 2020
72020
Theme and complex narrative structure in HBO’s Big Little Lies (2017)
M McVeigh
Refractory: A Journal of Entertainment Media Special Issue, 2019
72019
Fostering Creative Agency through Screenwriting: An Intervention
M McVeigh, A Valquaresma, M Karwowski
Creativity Research Journal 35 (4), 749-762, 2023
62023
Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001)
M McVeigh
Critical Arts 31 (5), 142-155, 2017
62017
Telling Big Little Lies: Writing the female gothic as extended metaphor in complex television
M McVeigh
Journal of Screenwriting 11 (1), 63-80, 2020
52020
Transcultural Screenwriting: Telling Stories for a Global World
CS Brenes, P Cattrysse, M McVeigh
Cambridge Scholars Publishing, 2017
52017
Screenwriting San Frontieres: The writing of a transnational film and the key factors impacting on the creation of story in the film co-production scenario
M McVeigh
Transcultural Screenwriting: Telling Stories for a Global World, 47-68, 2017
52017
It’s All about the Story:‘The Making of Away’and the Telling of a Cinematic Story
M McVeigh
Storying Humanity: Narratives of Culture and Society, 25-33, 2015
42015
Mosaic narrative a poetics of cinematic new media narrative
KM McVeigh
University of Southern Queensland, 2008
42008
Measuring excellence in screen production research
C Batty, K Dooley, B Frankham, S Kerrigan, M McVeigh
Australian Screen Production Education and Research Association, 2018
32018
Making the connection: Lev Manovich's Texas and the challenges of interactive new media narrative
M McVeigh
Digital Creativity 22 (2), 78 - 90, 2011
32011
Script Development from the Inside Looking Out: Telling a Transnational Story in the Australian Films 33 Postcards (Chan, 2011) and Strange Colours (Lodkina …
M McVeigh
The Palgrave Handbook of Screenwriting Studies, 643-662, 2023
22023
How the scripts of Latin American screenwriters Lucrecia Martel (Argentina), Anna Muylaert (Brazil) and Claudia Llosa (Peru) have made a mark on the world stage
M McVeigh, CM Miranda
Journal of Screenwriting 11 (3), 331-346, 2020
22020
Work-in-Progress: The Writing of Shortchanged
M McVeigh
The Palgrave Handbook of Screen Production, 157-168, 2019
22019
Introduction–Creativity matters: poetics, pedagogy, production, policy
M McVeigh, AM Scheelings, JK Grogan, J Tindale
Media Practice and Education 24 (1), 1-3, 2023
12023
When the Truth Becomes Too Hard to Tell: Jocelyne Saab & Dunia (2005)
M McVeigh
True Event Adaptation: Scripting Real Lives, 67-86, 2018
12018
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