Belinda Smaill
Belinda Smaill
Associate Professor in Film and Screen Studies, Monash University
Verified email at monash.edu - Homepage
TitleCited byYear
The documentary: Politics, emotion, culture
B Smaill
Palgrave Macmillan, 2010
842010
Transnational Australian Cinema: Ethics in the Asian Diasporas
O Khoo, B Smaill, A Yue
Rowman & Littlefield, 2013
292013
Online personals and narratives of the self: Australia's RSVP
B Smaill
Convergence 10 (1), 93-107, 2004
202004
Narrating community: multiculturalism and Australia's SBS television
B Smaill
Journal of Communication Inquiry 26 (4), 391-407, 2002
172002
Sofia Coppola: Reading the director
B Smaill
Feminist Media Studies 13 (1), 148-162, 2013
162013
Youth, media and culture in the Asia Pacific region
UM Rodrigues, B Smaill
Cambridge Scholars Publishing, 2009
122009
Asia Pacific modernities: Thinking through youth media locales
B Smaill
Cambridge Scholars Publishing, 2008
102008
Injured Identities: Pain, Politics and Documentary
B Smaill
Studies in Documentary Film 1 (2), 151-163, 2007
102007
The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity
B Smaill
Camera Obscura: Feminism, Culture, and Media Studies 24 (2 (71)), 43-75, 2009
72009
Affective authorship: contemporary Asian Australian documentary
B Smaill
Studies in Australasian Cinema 2 (2), 157-170, 2008
62008
Loss and Transformation: Mourning and The Finished People
B Smaill
Journal of Film and Video 59 (3), 32-45, 2007
62007
The tracker
B Smaill
Metro Magazine: Media & Education Magazine, 30, 2002
62002
Disorientations: Sadness, mourning and the unhomely
B Smaill
Journal of Australian Studies 26 (73), 161-169, 2002
52002
Amidst a nation's cultures: documentary and Australia's Special Broadcasting Service Television
B Smaill
Monash University, Centre for Comparative Literature and Cultural Studies, 2001
52001
SBS Documentary and Unfinished Business
B Smaill
Metro Magazine: Media & Education Magazine, 34, 2001
52001
Regarding Life: Animals and the Documentary Moving Image
B Smaill
SUNY Press, 2016
42016
The Male Sojourner, the Female Director, and Popular European Cinema: The Worlds of Susanne Bier
B Smaill
Camera Obscura: Feminism, Culture, and Media Studies 29 (1 85), 5-31, 2014
42014
Intercultural Romance and Australian Cinema: Asia and Australia in The Home Song Stories and Mao’s Last Dancer
B Smaill
Screening the Past 28, 2010
42010
Documentary investigations and the female porn star
B Smaill
Jump Cut: A Review of Contemporary Media 51, 2009
42009
Diasporic Subjectivity in Contemporary Australian Documentary: Travel, History and the Televisual Representation of Trauma
B Smaill
Continuum: Journal of Media & Cultural Studies 20 (2), 269-283, 2006
42006
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