| The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions L Risk Ethnomusicology 57 (3), 428-454, 2013 | 18 | 2013 |
| Framing ethno-world: Intercultural music exchange, tradition, and globalization R Mantie, L Risk York St John University, 2021 | 16 | 2021 |
| Digitization, recirculation and reciprocity: Proactive archiving for community and memory on the Gaspé coast and beyond G Patterson, L Risk MUSICultures 41 (2), 2014 | 7 | 2014 |
| The poetics of engagement: Improvisation, musical communities, and the COVID-19 pandemic D Fischlin, L Risk, J Stewart Critical Studies in Improvisation 14 (1), 1-25, 2021 | 5 | 2021 |
| Imperfections and intimacies: Trebling effects and the improvisational aesthetics of pandemic-era livestreaming L Risk Critical studies in improvisation 14 (1), 1-22, 2021 | 5 | 2021 |
| Melodic Similarity in Traditional French-Canadian Instrumental Dance Tunes. L Risk, L Mok, A Hankinson, J Cumming ISMIR, 93-99, 2015 | 5 | 2015 |
| Veillées, Variants, and Violoneux: Generic Boundaries and Transnational Trajectories in the Traditional Instrumental Music of Quebec L Risk McGill University (Canada), 2016 | 3 | 2016 |
| The Glengarry Collection: The Highland Fiddle Music of Aonghas Grant LRPD Grant, Aonghas, Barbara McOwen Mel Bay 1, 118, 2010 | 3* | 2010 |
| The poetics of engagement: Viral contagions and the dream of liveness D Fischlin, L Risk, J Stewart Critical Studies in Improvisation 14 (2), 1-25, 2021 | 1 | 2021 |
| Le bon vieux temps: The Veillée in Twentieth-Century Quebec L Risk Contemporary Musical Expressions in Canada, 43-86, 2020 | 1 | 2020 |
| Routes & Roots: Fiddle and Dance Studies from around the North Atlantic 4 L Risk MUSICultures 40 (1), 2013 | 1 | 2013 |
| L a citationalité, la tradition et le problème des origines: Regard sur les veillées publiques et le « tradinationalisme» dans le Québec du début du xx e siècle L Risk Volume!, 83-107, 2024 | | 2024 |
| Community-based Traditional Music in Scotland: A Pedagogy of Participation, Josephine L. Miller (2022). L Risk international journal of community music 16 (3), 2023 | | 2023 |
| Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin” L Risk Journal of the Society for American Music 17 (2), 151-177, 2023 | | 2023 |
| Imagining a Post-Pandemic Reality through an Arts-based Methodological Framework H Janes, A Berry, E Lyonblum, L Risk, N Niknafs Culture and Local Governance 8 (1), 32-44, 2023 | | 2023 |
| Share the Arts, Share the Planet: Toward a “Regional Residency” Model for Sustainable Touring in the Post-Pandemic L Risk MUSICultures 49, 135-157, 2022 | | 2022 |
| Slominski, Tes. 2020. Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music L Risk MUSICultures 49, 316-319, 2022 | | 2022 |
| The Complexities of Intercultural Music Exchange: Ethno World as Cultural Change Agent R Mantie, L Risk, K Manson-Curry, P Tironi, J Li, A de Groot York St John University, 2021 | | 2021 |
| The Complexities of Intercultural Music Exchange R Mantie, L Risk, P Tironi, K Manson-Curry, J Li, A de Groot | | 2021 |
| Music, Platforms, and the Pandemic Panel M Campbell, B Fauteux, C Mecija, L Risk, A Stuart | | 2021 |
