Bennett Hogg
Bennett Hogg
lecturer in music, newcastle university
Verified email at ncl.ac.uk - Homepage
TitleCited byYear
Sonification Abstraite/Sonification Concr\ete: An'Aesthetic Perspective Space'for Classifying Auditory Displays in the Ars Musica Domain
P Vickers, B Hogg
arXiv preprint arXiv:1311.5426, 2013
862013
Enactive consciousness, intertextuality, and musical free improvisation: Deconstructing mythologies and finding connections
B Hogg
Music and consciousness: Philosophical, psychological, and cultural …, 2011
252011
Contexts of/as Resistance
SJ Norman
Contemporary Music Review 32 (2-3), 275-288, 2013
92013
When violins were trees: Resistance, memory, and performance in the preparatory experiments for landscape quartet, a contemporary environmental sound art project
B Hogg
Contemporary Music Review 32 (2-3), 249-273, 2013
92013
Perspectives from Practice
B Hogg, M Sansom
Contemporary Music Review 34 (4), 259-261, 2015
82015
The violin, the river, and me: Artistic research and environmental epistemology in balancing string and devil’s water 1, two recent environmental sound art projects
B Hogg
HZ J 18, 2013
72013
Sonification abstraite/sonification concrete: An'aesthetic persepctive space'for classifying auditory displays in the ars musica domain
B Hogg, P Vickers
Georgia Institute of Technology, 2006
72006
Who's Listening?
B Hogg
Music Power and Politics, 2005
62005
Aesthetics of sonification: Taking the subject-position
P Vickers, B Hogg, D Worrall
Body, sound and space in music and beyond: Multimodal explorations, 89-109, 2017
52017
Musical meshworks: from networked performance to cultures of exchange
B Freeth, J Bowers, B Hogg
Proceedings of the 2014 conference on Designing interactive systems, 219-228, 2014
52014
Resistant materials in musical creativity
B Hogg, SJ Norman
Contemporary Music Review 32 (2-3), 115-118, 2013
52013
Music Technology, or Technologies of Music
B Hogg
The Cultural Study of Music: A Critical Introduction, 217-226, 2012
52012
Embodied consciousness as a site of cultural mediation in thinking about musical free improvisation
B Hogg
Consciousness, Theatre, Literature, and the Arts, 2010
32010
‘Patterns of Ecological and Aesthetic Co-evolution’: Tree-guitars, River-violins and the Ecology of Listening
B Hogg, S Östersjö
Contemporary Music Review 34 (4), 335-349, 2015
22015
Healing the cut: Music, landscape, nature, culture
B Hogg
Contemporary Music Review 34 (4), 281-302, 2015
22015
Weathering: perspectives on the Northumbrian landscape through sound art and musical improvisation
B Hogg
Landscape Research 43 (2), 237-247, 2018
12018
... they call us by our name...
B Hogg
The Oxford Handbook of Sound and Imagination 2, 219, 2019
2019
A Violin, By Any Other Name…
B Hogg
Contemporary Music Review 37 (4), 360-370, 2018
2018
Out of the wood of thought that grows by night...
B Hogg
Newcastle University, 2018
2018
Recorded Sound: Memory, Imagination, and Metempsychosis
B Hogg
Oxford Handbook of Sound and Imagination, 2018
2018
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Articles 1–20