Drama and the Postmodern DK Jernigan Cambria Press, 2008 | 30 | 2008 |
Tom Stoppard and" Postmodern Science": Normalizing Radical Epistemologies in" Hapgood" and" Arcadia" DK Jernigan Comparative Drama, 3-35, 2003 | 24 | 2003 |
“Digitally Augmented-Reality Characters in Live Theatre Performances,” LS Jernigan, Daniel K., Stephen Frederick Fernandez, Russell Pensyl International Journal of Performance Arts and Digital Media 5 (1), 35-49, 2009 | 18 | 2009 |
Traps, Softcops, Blue Heart, and This Is a Chair:Tracking Epistemological Upheaval in Caryl Churchill's Shorter Plays D Jernigan Modern Drama 47 (1), 21-43, 2004 | 17 | 2004 |
Literature and ethics: questions of responsibility in literary studies DK Jernigan Cambria Press, 2009 | 13 | 2009 |
Tom Stoppard: bucking the postmodern DK Jernigan McFarland, 2012 | 12 | 2012 |
Large area robust hybrid tracking with life-size avatar in mixed reality environment: for cultural and historical installation WR Pensyl, DK Jernigan, TCT Qui, HP Fang, LS Ping Proceedings of The 7th ACM SIGGRAPH International Conference on Virtual …, 2008 | 10 | 2008 |
Narrating Death DK Jernigan, W Wadiak, WM Wang Routledge, 2019 | 9 | 2019 |
Adapting gothic literature for animation H Rall, D Jernigan New Directions in 21st-Century Gothic, 39-53, 2015 | 7 | 2015 |
“Aesthetic Affordances: Computer Animation and Wayang Kulit Puppet Theatre,” AC Jernigan, Daniel K., Hans Martin-Rall, Darren Lim Animation Practice, Process & Production 3 (1-2), 2014 | 7* | 2014 |
" Serious Money" Becomes" Business by Other Means": Caryl Churchill's Metatheatrical Subject DK Jernigan Comparative Drama, 291-313, 2004 | 6 | 2004 |
The Routledge Companion to Death and Literature WM Wang, DK Jernigan, N Murphy Routledge, Taylor & Francis Group, 2021 | 5 | 2021 |
“Theatrical Collusion with Multi-national Capitalism in Caryl Churchill’s Serious Money.” DK Jernigan Text and Presentation, 117-134., 2001 | 4 | 2001 |
“Is there no danger in counterfeiting death?”: Molière’s The Imaginary Invalid DK Jernigan Narrating Death, 62-74, 2018 | 3 | 2018 |
Flann O'Brien: Plays and Teleplays DK Jernigan Dalkey Archive Press, 2013 | 3 | 2013 |
Beginnings: Postmodern Tipping Points DK Jernigan Drama and the Postmodern: Assessing the Limits of Metatheatre. Literature …, 2009 | 3 | 2009 |
" Simulat Ergo Est": Brian O'Nolan's Metaperformative Simulations DK Jernigan New Hibernia Review/Iris Éireannach Nua 20 (1), 87-104, 2016 | 2 | 2016 |
Tom Stoppard as trickster in Rosencrantz and Guildenstern are dead. DK Jernigan Bloom’s Literary Themes: The Trickster. Ed. Harold Bloom. (New York City …, 2010 | 2 | 2010 |
Tom Stoppard’s regressive postmodernity: tracking the major plays, from Rosencrantz and Guildenstern are dead to Indian Ink DK Jernigan Cambria Press, 2008 | 2 | 2008 |
A British stage of the postmodern: Theatre as cultural capital in Tom Stoppard and Caryl Churchill DK Jernigan Purdue University, 2001 | 2 | 2001 |