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Michael Fowler
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Year
Soundscape as a design strategy for landscape architectural praxis
MD Fowler
Design studies 34 (1), 111-128, 2013
782013
Sound as a considered design parameter in the Japanese garden
M Fowler
Studies in the History of Gardens & Designed Landscapes 35 (4), 312-327, 2015
182015
Mapping sound-space: the Japanese garden as auditory model
M Fowler
Architectural Research Quarterly 14 (1), 63-70, 2010
182010
Architectures of Sound: Acoustic Concepts and Parameters for Architectural Design
M Fowler
172017
The ephemeral architecture of Stockhausen’s Pole für 2
M Fowler
Organised Sound 15 (03), 185-197, 2010
152010
Sound Worlds of Japanese Gardens: An Interdisciplinary Approach to Spatial Thinking
M Fowler
Transcript-Verlag, 2014
132014
Sound, aurality and critical listening: disruptions at the boundaries of architecture
M Fowler
Architecture and Culture 1 (1), 162-180, 2013
132013
On Listening in a Future City
M Fowler
Grey Room 42, 22-45, 2011
132011
Hearing a shakkei: The semiotics of the audible in a Japanese stroll garden
M Fowler
Semiotica 2013 (197), 101-117, 2013
112013
Finding Cage at Ryōan-ji Through a Re-Modelling of Variations II
M Fowler
Perspectives of New Music, 174-192, 2009
92009
Sounds in space or space in sounds? Architecture as an auditory construct
M Fowler
Architectural Research Quarterly 19 (1), 61-72, 2015
82015
Appropriating an architectural design tool for musical ends
M Fowler
Digital Creativity 22 (4), 275-287, 2011
82011
Teimu (the garden of dreams): aural and aesthetic attributes of Japanese gardens as models for spatial environments
M Fowler, L Harvey
The west meets the east in acoustic ecology, 2-6, 2006
82006
John Cage's Silent Piece and the Japanese gardening technique of shakkei: Formalizing Whittington's conjecture through conceptual graphs
MD Fowler
Journal of Mathematics and Music 13 (1), 4-26, 2019
62019
On the Relationship Between Inside and Outside: Conceptualising Acoustic Space in John Cage's Variations IV
M Fowler
Architectural Theory Review 17 (1), 158-177, 2012
62012
Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form
M Fowler
Leonardo 45 (1), 34-41, 2012
52012
An analysis of pitch-class segmentation in John Cage's Ryoanji for oboe using morphological image analysis and formal concept analysis
MD Fowler
Journal of Mathematics and Music 14 (1), 21-47, 2020
42020
Transmediating a Japanese Garden through Spatial Sound Design
M Fowler
Leonardo Music Journal 21, 41-49, 2011
42011
From actantial model to conceptual graph: Thematized action in John Cage's 0′00′(4′33′′No. 2)
MD Fowler
Journal of Mathematics and Music 14 (3), 307-328, 2020
32020
The taxonomy of a Japanese stroll garden: An ontological investigation using formal concept analysis
M Fowler
Axiomathes 23 (1), 43-59, 2013
32013
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