Greg Hainge
Greg Hainge
FAHA, SFHEA, Professor of French, University of Queensland
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Cited by
Cited by
Noise Matters: Towards an Ontology of Noise
G Hainge
Bloomsbury Academic, 2013
Of Glitch and Men: The Place of the Human in the Successful Integration of Failure and Noise in the Digital Realm
G Hainge
Communication Theory 17 (1), 26-42, 2007
Weird or loopy? Specular spaces, feedback and artifice in Lost Highway's aesthetics of sensation
GE Hainge
The Cinema of David Lynch: American Dreams, Nightmare Visions, 2004
To (rt) uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion
G Hainge
Strobe-Lights and Blown Speakers: The Music and Art of Radiohead, 62-84, 2005
Is pop music?
G Hainge
Deleuze and Music, 36-53, 2004
Unfixing the photographic image: Photography, indexicality, fidelity and normativity
G Hainge
Continuum 22 (5), 715-730, 2008
Philippe Grandrieux
G Hainge
Bloomsbury Publishing, 2017
A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau
G Hainge
Continuum 26 (4), 565-577, 2012
The Sound of Time is not tick tock: The Loop as a Direct Image of Time in Noto’s Endless Loop Edition (2) and the Drone Music of Phill Niblock
G Hainge
Invisible Culture, pdf-1-pdf-16, 2011
No (i) stalgia: On the Impossibility of Recognising Noise in the Present
G Hainge
Culture, Theory and Critique 46 (1), 1-10, 2005
Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000.'Playtime','Subway'and'Stand-by'
G Hainge
Australian Journal of French Studies 51 (2/3), 235-250, 2014
The Unbearable Blandness of Being: The Everyday and Muzak in Barton Fink and Fargo
G Hainge
Post Script 27 (2), 38, 2008
Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema
G Hainge
Australian Journal of French Studies 44 (2), 153-171, 2007
Capitalism and schizophrenia in the later novels of Louis-Ferdinand Celine;'D'un... l'autre'.
G Hainge
University of Nottingham, 1998
Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction
G Hainge
Culture Machine 9, 1-23, 2007
Formulating God: The Ongoing Place of Theology in the Philosophy of Gilles Deleuze
G Hainge, J Cullen
Culture, Theory and Critique 52 (2-3), 303-319, 2011
Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation
GE Hainge
To the Quick, 2002
Blanchot and the resonant spaces of literature, sound, art and thought
G Hainge
Sonic Encounters with Blanchot, 94-111, 2020
Art Matters: Philosophy, Art History and Art’s Material Presence
G Hainge
Culture, Theory and Critique 57 (2), 137-141, 2016
Society for French studies slams ERA journal rankings
G Hainge
The Australian 12, 24167883-21682, 2008
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