| Noise Matters: Towards an Ontology of Noise G Hainge Bloomsbury Academic, 2013 | 229* | 2013 |
| Of Glitch and Men: The Place of the Human in the Successful Integration of Failure and Noise in the Digital Realm G Hainge Communication Theory 17 (1), 26-42, 2007 | 41* | 2007 |
| Weird or loopy? Specular spaces, feedback and artifice in Lost Highway's aesthetics of sensation GE Hainge The Cinema of David Lynch: American Dreams, Nightmare Visions, 2004 | 31 | 2004 |
| To (rt) uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion G Hainge Strobe-Lights and Blown Speakers: The Music and Art of Radiohead, 62-84, 2005 | 25* | 2005 |
| Is pop music? G Hainge Deleuze and Music, 36-53, 2004 | 25 | 2004 |
| Unfixing the photographic image: Photography, indexicality, fidelity and normativity G Hainge Continuum 22 (5), 715-730, 2008 | 21 | 2008 |
| Philippe Grandrieux G Hainge Bloomsbury Publishing, 2017 | 15 | 2017 |
| A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau G Hainge Continuum 26 (4), 565-577, 2012 | 11 | 2012 |
| The Sound of Time is not tick tock: The Loop as a Direct Image of Time in Noto’s Endless Loop Edition (2) and the Drone Music of Phill Niblock G Hainge Invisible Culture, pdf-1-pdf-16, 2011 | 11* | 2011 |
| No (i) stalgia: On the Impossibility of Recognising Noise in the Present G Hainge Culture, Theory and Critique 46 (1), 1-10, 2005 | 11 | 2005 |
| Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000.'Playtime','Subway'and'Stand-by' G Hainge Australian Journal of French Studies 51 (2/3), 235-250, 2014 | 8 | 2014 |
| The unbearable blandness of being: The everyday and Muzak in Barton Fink and Fargo G Hainge Post Script 27 (2), 38, 2008 | 8 | 2008 |
| Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema G Hainge Australian Journal of French Studies 44 (2), 153-171, 2007 | 8 | 2007 |
| Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline: d'un... l'autre GE Hainge Peter Lang, 2001 | 8 | 2001 |
| Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction G Hainge Culture Machine 9, 1-23, 2007 | 6 | 2007 |
| Formulating God: The Ongoing Place of Theology in the Philosophy of Gilles Deleuze G Hainge, J Cullen Culture, Theory and Critique 52 (2-3), 303-319, 2011 | 5 | 2011 |
| Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation GE Hainge To the Quick, 2002 | 5 | 2002 |
| Blanchot and the resonant spaces of literature, sound, art and thought G Hainge Sonic Encounters with Blanchot, 94-111, 2020 | 4 | 2020 |
| Art Matters: Philosophy, Art History and Art’s Material Presence G Hainge Culture, Theory and Critique 57 (2), 137-141, 2016 | 4 | 2016 |
| Society for French studies slams ERA journal rankings G Hainge The Australian 12, 24167883-21682, 2008 | 4 | 2008 |
