| Adored pop star or freaky artiste: The evolution of Harry Styles HJ Banks Social Alternatives 39 (4), 12-18, 2020 | 5 | 2020 |
| Creating spaces of well-being in academia to mitigate academic burnout: a collaborative auto-ethnography M de Villiers Scheepers, P Williams, V Schaffer, A Grace, C Walling, ... Qualitative Research Journal 23 (5), 569-587, 2023 | 3 | 2023 |
| A Stage of Our Own: Women Devising Theatre in Aotearoa New Zealand H Banks Victoria University of Wellington, 2018 | 2 | 2018 |
| There and (not quite) back again: A theatre and performance instructional team’s journey through COVID-19 in Australia HJ Banks, C Walling, J Loth Arts and Humanities in Higher Education 21 (3), 263-284, 2022 | 1 | 2022 |
| ‘Oh my god this is happening’: how Our Flag Means Death staged an empathic mutiny against the labour of queer reading practices B Luttrell, HJ Banks Media International Australia, 1329878X241245785, 2024 | | 2024 |
| Devising with Empathy HJ Banks Off Book, 221-235, 2023 | | 2023 |
| Making The Chair: Spiralling into personal archives for solo performance HJ Banks Australasian Association for Theatre, Drama and Performance Studies (ADSA …, 2023 | | 2023 |
| Archiving Personal Educational Journeys: Reassessing Visual Documentation of Experiential Learning in Theatre C Walling, HJ Banks Australasian Association for Theatre, Drama and Performance Studies (ADSA …, 2023 | | 2023 |
| Thirteen Sleepless Years: Directing Caryl Churchill's Three More Sleepless Nights in 2009 and 2022 HJ Banks ADSA Annual Conference, 2022 | | 2022 |
| Backpages 31.4-A Hopeful Glimpse into the Future HJ Banks Contemporary Theatre Review 31 (4), 529-530, 2021 | | 2021 |
| Panicdotes [Australian Premiere Performance] HJ Banks, C Walling University of the Sunshine Coast, 2021 | | 2021 |
| It’s only a four hour flight H Banks Capital: The Stories of Wellington 24, 2021 | | 2021 |
| Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic B Luttrell, H Banks, A Ward, L Goold Perfect Beat 21 (1), 69-75, 2021 | | 2021 |
| Feminist Live Art in Aotearoa New Zealand: Bound and Unbound Tensions in the Work of Julia Croft, Virginia Frankovich, and Nisha Madhan HJ Banks Performance Paradigm 15, 98-118, 2020 | | 2020 |
| Loving Harry Styles: On Fantasy Relationships and Self-Care H Banks The Pantograph Punch 13, 2020 | | 2020 |
| Devising with Empathy: Goodbye Solo Genius–Hello Partnership H Banks ADSA 2020: Acts of Gathering, 2020 | | 2020 |
| WTF! The life, death and afterlife of the Women’s Theatre Festival in Wellington, New Zealand HJ Banks ADSA Annual Conference, 2019 | | 2019 |
| A Stage of Our Own: Women in Devised Theatre in Aotearoa New Zealand H Banks Suffrage 125: Feminist Engagements in Aotearoa, 2018 | | 2018 |
| The Viewer and the Viewed: Sex and Desire in Body Double H Banks The Pantograph Punch 23, 2018 | | 2018 |
| Determined to belong: Women devising theatre in New Zealand HJ Banks Australasian Association for Theatre, Drama and Performance Studies Conference, 2017 | | 2017 |
