| The End of Gamers D Golding Dan Golding 28, 2014 | 55 | 2014 |
| Game changers D Golding, L Van Deventer Hachette UK, 2016 | 50 | 2016 |
| Far from paradise: The body, the apparatus and the image of contemporary virtual reality D Golding Convergence 25 (2), 340-353, 2019 | 48 | 2019 |
| Star Wars After Lucas: A Critical Guide to the Future of the Galaxy D Golding U of Minnesota Press, 2019 | 37 | 2019 |
| Putting the player back in their place: Spatial analysis from below D Golding Journal of Gaming & Virtual Worlds 5 (2), 117-130, 2013 | 24 | 2013 |
| Social media managers as intermediaries: negotiating the personal and professional in organisational communication D Bossio, A McCosker, E Milne, D Golding, C Albarrán-Torres Communication Research and Practice 6 (2), 95-110, 2020 | 22 | 2020 |
| The digital face and deepfakes on screen L Bode, D Lees, D Golding Convergence 27 (4), 849-854, 2021 | 11 | 2021 |
| Cultivating transcultural understanding through migration-related videogames E Chin, D Golding Asia Pacific Media Educator 26 (1), 83-98, 2016 | 10 | 2016 |
| Moving through space and time: A genealogy of videogame space DC Golding University of Melbourne, School of Culture and Communication, 2014 | 10 | 2014 |
| Videogames and politics: Why was Escape From Woomera so divisive D Golding ABC Arts 2, 2013 | 9 | 2013 |
| Creed: legacy franchising, race and masculinity in contemporary boxing films CA Albarrán-Torres, D Golding Continuum 33 (3), 310-323, 2019 | 8 | 2019 |
| The memory of perfection: Digital faces and nostalgic franchise cinema D Golding Convergence 27 (4), 855-867, 2021 | 7 | 2021 |
| Finding Untitled Goose Game’s Dynamic Music in the World of Silent Cinema D Golding Journal of Sound and Music in Games 2 (1), 1-16, 2021 | 6 | 2021 |
| BioShock Infinite: an intelligent, violent videogame? D Golding ABC Arts, 2013 | 6 | 2013 |
| From Above, from below: navigating the videogame D Golding Mémoire de maîtrise. University of Melbourne, 2008 | 5 | 2008 |
| Recommending a new system: An audience-based approach to film categorisation in the digital age J Balanzategui, L Burke, D Golding Participations: Journal of Audience & Reception Studies 15 (2), 297, 2018 | 4 | 2018 |
| The Dreamers of La La Land D Golding Senses of Cinema 82, 2017 | 4 | 2017 |
| A Theory of Film Music D Golding YouTube video 12, 14, 2016 | 3 | 2016 |
| Stasis and entropy in Australian videogames classification discourse D Golding Proceedings of The 9th Australasian Conference on Interactive Entertainment …, 2013 | 3 | 2013 |
| Listening to proteus D Golding Meanjin 72 (2), 108-115, 2013 | 3 | 2013 |
Leena van DeventerVerified email at rmit.edu.au
