Follow
Caroline Wake
Caroline Wake
Senior Lecturer in Theatre & Performance, University of New South Wales
Verified email at unsw.edu.au - Homepage
Title
Cited by
Cited by
Year
Regarding the Recording: The Viewer of Video Testimony, the Complexity of Copresence and the Possibility of Tertiary Witnessing
C Wake
History & Memory 25 (1), 111–144, 2013
672013
To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire
C Wake
Modern Drama 56 (1), 102–125, 2013
662013
The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies
C Wake
Performance Paradigm 5 (1), 82–100, 2009
662009
Verbatim: Staging Memory and Community
P Brown, C Wake
Currency Press, 2010
59*2010
Headphone Verbatim Theatre: Methods, Histories, Genres, Theories
C Wake
New Theatre Quarterly 29 (4), 321–335, 2013
492013
Envisioning Asylum/Engendering Crisis: Or, Performance and Forced Migration 10 Years On
E Cox, C Wake
Research in Drama Education 23 (2), 137–147, 2018
352018
Verbatim Theatre within a Spectrum of Practices
C Wake
Verbatim: Staging Memory and Community, 6-8, 2010
332010
Two Decades of Digital Pedagogies in the Performing Arts: A Comparative Survey of Theatre, Performance, and Dance
C Wake
International Journal of Performance Arts and Digital Media 14 (1), 52–69, 2018
262018
Through the (In)visible Witness in Through the Wire
C Wake
Research in Drama Education 13 (2), 187–192, 2008
232008
The Politics and Poetics of Listening: Attending Headphone Verbatim Theatre in Post-Cronulla Australia
C Wake
Theatre Research International 39 (2), 82–100, 2014
212014
Towards a Working Definition of Verbatim Theatre
C Wake
Verbatim: Staging Memory and Community, 2-5, 2010
212010
Visions and Revisions: Performance, Memory, Trauma
B Trezise, C Wake
Museum Tusculanum Press, 2013
172013
A Short History of Verbatim Theatre
U Garde, M Mumford, C Wake
Verbatim: Staging Memory and Community, 9-17, 2010
152010
Disabling Spectacle: Curiosity, Contempt and Collapse in Performance Theatre
B Trezise, C Wake
We're People Who Do Shows: Back to Back Theatre - Performance Politics …, 2013
112013
Between Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process
C Wake
Text and Performance Quarterly 33 (4), 326–343, 2013
102013
The Ambivalent Politics of One-to-One Performance
C Wake
Performance Paradigm 13, 163–173, 2017
92017
Introduction to After Effects: Performing the Ends of Memory
B Trezise, C Wake
Performance Paradigm 5 (1), 1-4, 2009
92009
Postcard from the Edge: Tom Holloway's Beyond the Neck and the Limits of Verbatim
C Wake
Australasian Drama Studies 72, 100–125, 2018
82018
After Effects: Performing the Ends of Memory. An Introduction to Volume I
C Wake
Performance Paradigm 5 (1), 1-7, 2009
72009
Performing Witness Testimonial Theatre in the Age of Asylum, Australia 2000–2005
C Wake
University of New South Wales, 2010
62010
The system can't perform the operation now. Try again later.
Articles 1–20