| Open up the doors: Music in the modern church M Evans Equinox, 2006 | 143 | 2006 |
| The new music industries: Disruption and discovery D Hughes, M Evans, G Morrow, S Keith Springer, 2016 | 87 | 2016 |
| Off the planet: music, sound and science fiction cinema R Leydon, S Hosokawa, N Zuberi, N Lerner, R Coyle, P Théberge, ... Indiana University Press, 2004 | 84 | 2004 |
| 'What Constitutes Artist Success in the Australian Music Industries?' M Evans International Journal of Music Business Research (IJMBR), 2013 | 41 | 2013 |
| Hillsong Abroad: Tracing the Songlines of Contemporary Pentecostal Music M Evans The spirit of praise: music and worship in global Pentecostal-Charismatic …, 2015 | 29 | 2015 |
| YouTube: A new mediator of Christian community D Thornton, M Evans Congregational music-making and community in a mediated age, 141-159, 2016 | 25 | 2016 |
| The future foreign correspondent S Bebawi, M Evans Springer, 2019 | 24 | 2019 |
| Creating the Hillsong Sound: How One Church Changed Australian Christian Music M Evans The Hillsong Movement Examined: You call me out upon the waters, 63-81, 2017 | 21 | 2017 |
| Regulating the emergent: cyberporn and the traditional media M Evans, CM Butkus Media International Australia 85 (1), 62-69, 1997 | 20 | 1997 |
| 'Quality'criticism: music reviewing in Australian rock magazines M Evans Perfect Beat 3 (4), 38-50, 1998 | 16 | 1998 |
| Offline and online: Liveness in the Australian music industries S Keith, D Hughes, D Crowdy, G Morrow, M Evans The State of the music industry, 221-241, 2014 | 13 | 2014 |
| Secularising the sacred: The impact of Geoff Bullock and Hillsong Church on contemporary congregational song in Sydney, 1990-1999 M Evans Macquarie University (Division of Humanities, Department of Contemporary …, 2002 | 12 | 2002 |
| Improvisation and reciprocal design: Soundplay for dementia G Kenning, A Ilsar, R Brankaert, M Evans Dementia Lab Conference, 82-91, 2019 | 10 | 2019 |
| Sounding Funny: Sound and Comedy Cinema M Evans, P Hayward Equinox Publishing, 2016 | 10 | 2016 |
| Sounding funny: The importance of hearing the joke E Giuffre, M Evans Sounding Funny Sound and Comedy Cinema, 2016 | 8 | 2016 |
| Movies, Moves and Music: The Sonic World of Dance Films M Evans, M Fogarty Equinox Publishing, 2016 | 7 | 2016 |
| Music education and the contemporary, multi-industry landscape D Hughes, S Keith, G Morrow, M Evans, D Crowdy Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 7 | 2013 |
| Rhythms of evil: Exorcizing sound from The Exorcist M Evans Terror tracks: music, sound and horror cinema, 112-124, 2009 | 7 | 2009 |
| A “duty of care” and the professional musician/artist D Hughes, M Evans, S Keith, G Morrow RELEVANCE AND REFORM IN THE EDUCATION OF PROFESSIONAL MUSICIANS, 31, 2014 | 5 | 2014 |
| MAPPING THE MATRIX: Virtual Spatiality and the realm of the Perceptual M Evans Off the Planet: Music, Sound and Science Fiction Cinema, Eastleigh …, 2004 | 5 | 2004 |
Diane HughesMacquarie UniversityVerified email at mq.edu.au
