| Doubting vision: Film and the revelationist tradition M Turvey Oxford University Press, 2008 | 205 | 2008 |
| The filming of modern life: European avant-garde film of the 1920s M Turvey MIT Press, 2013 | 99 | 2013 |
| Wittgenstein, theory and the arts R Allen, M Turvey Routledge, 2001 | 83 | 2001 |
| Round table: The projected image in contemporary art M Turvey, H Foster, C Iles, G Baker, M Buckingham, A McCall October 104, 71-96, 2003 | 53 | 2003 |
| Seeing theory: On perception and emotional response in current film theory M Turvey | 52 | 1997 |
| Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson M Turvey, R Allen Amsterdam University Press, 2003 | 51 | 2003 |
| Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson M Turvey, R Allen Amsterdam University Press, 2003 | 51 | 2003 |
| Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson M Turvey, R Allen Amsterdam University Press, 2003 | 51 | 2003 |
| Can the Camera See? Mimesis in" Man with a Movie Camera" M Turvey October 89, 25-50, 1999 | 48 | 1999 |
| Jean Epstein's cinema of immanence: The rehabilitation of the corporeal eye M Turvey October 83, 25-50, 1998 | 37 | 1998 |
| Theory, Philosophy, and Film Studies: A Response to DN Rodowick's" An Elegy for Theory" M Turvey October 122, 110-120, 2007 | 36 | 2007 |
| Dada Between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films of Hans Richter M Turvey October 105, 13-36, 2003 | 35 | 2003 |
| Vertov: Between the Organism and the Machine M Turvey October 121, 5-18, 2007 | 32 | 2007 |
| Balázs: Realist or Modernist? M Turvey October 115, 77-87, 2006 | 22 | 2006 |
| Wittgenstein's Later Philosophy: A prophylaxis against theory R Allen, M Turvey Wittgenstein, theory and the arts, 1-35, 2011 | 20 | 2011 |
| Play Time: Jacques Tati and Comedic Modernism M Turvey Columbia University Press, 2019 | 19 | 2019 |
| The Avant-Garde and the" New Spirit": The Case of" Ballet mécanique" M Turvey October, 35-58, 2002 | 18 | 2002 |
| Cognitive film theory R Allen Wittgenstein, theory and the arts, 174-209, 2011 | 17 | 2011 |
| The Coded-Message Model of Literature: Severin Schroeder S Schroeder Wittgenstein, Theory and the Arts, 210-228, 2011 | 16 | 2011 |
| Mirror Neurons and Film Studies: A Cautionary Tale from a Serious Pessimist M Turvey Projections 14 (3), 21-46, 2020 | 15 | 2020 |
