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Co-authors
Jane DavidsonProfessor of Creative and Performing Arts, the University of MelbourneVerified email at unimelb.edu.au- Emery SchubertUniversity of New South WalesVerified email at unsw.edu.au
- Paul EvansSenior LecturerVerified email at unsw.edu.au
- Richard ParncuttProfessor of Systematic Musicology, University of Graz, AustriaVerified email at uni-graz.at
- Margaret S. OsbornePerformance Psychologist, Lecturer, The University of MelbourneVerified email at unimelb.edu.au
- Margaret BarrettMonash UniversityVerified email at monash.edu
- Aaron WilliamonCentre for Performance Science, Royal College of Music | Imperial College LondonVerified email at rcm.ac.uk
- Karin HendricksBoston UniversityVerified email at bu.edu
- Bo Wah LeungEducation University of Hong KongVerified email at eduhk.hk
- Peter MikszaAssociate Professor of Music Education, Indiana UniversityVerified email at indiana.edu
- David J HargreavesEmeritus Professor of Education, Roehampton UniversityVerified email at roehampton.ac.uk
- Sam FergusonFaculty of Engineering and IT, University of Technology, SydneyVerified email at uts.edu.au
- P van Geerthoogleraar ontwikkelingspsychologieVerified email at rug.nl
- Professor Susan HallamInstitute of Education, University College LondonVerified email at ucl.ac.uk
- Sarah WilsonThe University of MelbourneVerified email at unimelb.edu.au
- Adrian NorthSchool of Psychology and Speech Pathology, Curtin UniversityVerified email at curtin.edu.au
- Susan A. O'NeillProfessor, Simon Fraser University, CanadaVerified email at sfu.ca
- Sandra TrehubUniversity of TorontoVerified email at utoronto.ca
- Marijn van DijkVerified email at rug.nl
- William Forde ThompsonMacquarie University, Department of PsychologyVerified email at mq.edu.au
