| Digital alchemy: The Posthuman drama of Adam JA Cass's I love you, Bro R Jordan Australasian Drama Studies, 37-52, 2014 | 5 | 2014 |
| Posthuman drama: Identity and the machine in twenty-first-century playwriting R Jordan | 4 | 2015 |
| Distributed Agencies in Dramatic Form: A Posthuman Perspective on Lucy Prebble’s The Sugar Syndrome and Sarah Ruhl’s Dead Man’s Cell Phone R Jordan Modern Drama 64 (1), 1-23, 2021 | 1 | 2021 |
| Machina R Jordan Playlab, 2014 | 1 | 2014 |
| The Intimate and the Epic in Plunge: A Case Study in Heterarchical Composition for Site-Specific and Interdisciplinary Performance Makers K Shearer, JM Hamilton, R Jordan University of New England, 2023 | | 2023 |
| Reframing Humanist Tragedy in The Tiniest Thing R Jordan CounterText 8 (3), 413-434, 2022 | | 2022 |
| The Tiniest Thing R Jordan Australian Theatre Festival NYC, 2021 | | 2021 |
| Introduction to'I Love You, Bro' R Jordan I Love You, Bro, 2014 | | 2014 |
| 25 Down R Jordan Playlab, 2009 | | 2009 |
| The space between: Representing'youth'on the contemporary Australian stage R Jordan Queensland University of Technology, 2006 | | 2006 |
