| Laura Mulvey meets Catherine Tramell meets the She-Man: Counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism J Erhart A companion to film theory, 165-181, 1999 | 31 | 1999 |
| Picturing What If: Julie Dash's Speculative Fiction J Erhart Camera Obscura: Feminism, Culture, and Media Studies 13 (2), 116-131, 1996 | 15 | 1996 |
| ‘Mr G is deffinately bringin’Sexy back': characterizing Chris Lilley's YouTube audience J Erhart Continuum 28 (2), 176-187, 2014 | 11 | 2014 |
| “She Could Hardly Invent Them!” From Epistemological Uncertainty to Discursive Production: Lesbianism in The Children's Hour J Erhart Camera Obscura: Feminism, Culture, and Media Studies 12 (2), 86-105, 1995 | 10 | 1995 |
| Gendering History on Screen: Women Filmmakers and Historical Films J Erhart IB Tauris, 2016 | 8 | 2016 |
| The Naked Community Organizer: Politics and Reflexivity in Gus Van Sant's Milk J Erhart a/b: Auto/Biography Studies 26 (1), 156-170, 2011 | 8 | 2011 |
| Performing memory: compensation and redress in contemporary feminist first-person documentary J Erhart La Trobe University, 2001 | 8 | 2001 |
| ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies JG Erhart Continuum 27 (3), 434-445, 2013 | 7 | 2013 |
| From Nazi whore to good German mother: revisiting resistance in the Holocaust film. J Erhart Screen 41 (4), 2000 | 6 | 2000 |
| Narrating women workers’ perceptions of sexism and change in the Australian screen postproduction sector before and after# MeToo K Dooley, J Erhart Feminist Media Studies 23 (2), 671-687, 2023 | 4 | 2023 |
| ‘But do I care? No, I’m too old to care’: authority, unfuckability, and creative freedom in Jane Campion’s authorship after the age of sixty J Erhart Studies in Australasian Cinema 13 (2-3), 67-82, 2019 | 4 | 2019 |
| Towards a New LGBT Biopic: Politics and Reflexivity in Gus Van Sant’s Milk’ J Erhart Invented Lives, Imagined Communities: Biopics and American National Identity …, 2016 | 4 | 2016 |
| 'Pink parent'pictures: in the digital domain J Erhart Gay and Lesbian Issues and Psychology Review 5 (1), 45, 2009 | 4 | 2009 |
| She must be theorizing Things: Fifteen Years of Lesbian Film Criticism, 1981-96 J Erhart Cassell, 1997 | 3 | 1997 |
| Gay Fathers in Modern Family and The New Normal J Erhart Queer TV in the 21st Century: Essays on Broadcasting from Taboo to …, 2016 | 2 | 2016 |
| Donor Conception in Lesbian and Non-lesbian Film and Television Families J Erhart Queer Love in Film and Television, 83-93, 2013 | 2 | 2013 |
| Recollecting descent: Sexuality, cultural memory, and the dream of feminist filiation in classical Hollywood and contemporary historiographic cinema JG Erhart University of California, Santa Cruz, 1995 | 2 | 1995 |
| Gillian Armstrong: Popular, Sensual & Ethical Cinema J Erhart Edinburgh University Press, 2020 | 1 | 2020 |
| The Children’s Hour J Erhart McGill-Queen's Press-MQUP, 2024 | | 2024 |
| Double Trouble? Charting the Experiences of Australian Women Picture Editors Over Age 50 J Erhart, K Dooley Women, Ageing and the Screen Industries: Falling off a Cliff?, 19-39, 2023 | | 2023 |
