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Kim Vincs
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Rhizome/MyZone: A case study in studio-based dance research
K Vincs
Deakin University, 2007
802007
Body armor, performance, and physiology during repeated high-intensity work tasks
B Larsen, K Netto, D Skovli, K Vincs, S Vu, B Aisbett
Military medicine 177 (11), 1308-1315, 2012
572012
Dancing between diversity and consistency: Refining assessment in postgraduate degrees in dance
M Phillips, C Stock, K Vincs
Deakin University, 2009
382009
Snapshots of complexity: using motion capture and principal component analysis to reconceptualise dance
K Vincs, K Barbour
Digital Creativity 25 (1), 62-78, 2014
342014
Teaching a digital performing agent: Artificial neural network and hidden markov model for recognising and performing dance movement
J McCormick, K Vincs, S Nahavandi, D Creighton, S Hutchison
Proceedings of the 2014 International Workshop on Movement and Computing, 70-75, 2014
332014
Identifying regions of good agreement among responders in engagement with a piece of live dance
E Schubert, K Vincs, CJ Stevens
Empirical Studies of the Arts 31 (1), 1-20, 2013
302013
Long-Term Memory for Contemporary Dance is Distributed and Collaborative
E Stevens, Catherine, Vincs, Kim, deLahunta, Scott & Old
Acta Psychologica 194, 17-27, 2019
252019
Touching space: Using motion capture and stereo projection to create a “virtual haptics” of dance
K Vincs, J McCormick
Leonardo 43 (4), 359-366, 2010
252010
In the heat of the moment: audience real-time response to music and dance performance
CJ Stevens, RT Dean, K Vincs, E Schubert
Coughing and clapping: Investigating audience experience, 69-88, 2016
202016
Learning to dance with a human.
J McCormick, K Vincs, S Nahavandi, D Creighton
ISEA International, 2013
172013
On an/notations
S DeLahunta, K Vincs, S Whatley
Performance Research 20 (6), 1-2, 2015
152015
Measuring audience response on-line: An evaluation of the portable audience response facility (pARF)
C Stevens, K Vincs, E Schubert
Second International Conference on Music Communication Science, Sydney …, 2009
142009
Measuring responses to dance: is there a'grammar'of dance
K Vincs, E Schubert, CJ Stevens
Dance Dialogues: Conversations Across Cultures, Artforms and Practices …, 2008
142008
Follow your heart and something will come: Subjective factors in the sustainability of early to mid career contemporary dance artists
K Vincs
Deakin University, 2004
132004
Navigating control and illusion: functional interactivity versus ‘faux-interactivity’in transmedia dance performance
JB Vincent, C Vincent, K Vincs, J McCormick
International Journal of Performance Arts and Digital Media 12 (1), 44-60, 2016
122016
Virtualizing Dance
K Vincs
The Oxford Handbook of Screendance Studies, 263-282, 2016
122016
Dancing in suits: a performer's perspective on the collaborative exchange between self, body, motion capture, animation and audience.
S Hutchison, K Vincs
ISEA International, 2013
122013
The intersection of live and digital: new technical classifications for digital scenography in opera
C Vincent, JB Vincent, K Vincs, K Johanson
Theatre and Performance Design 3 (3), 155-171, 2017
112017
Dancing doctorates down-under? Defining and assessing'doctorateness' when embodiment enters the thesis
M Phillips, C Stock, K Vincs
Dance Dialogues: Conversations Across Cultures, Artforms and Practices …, 2009
112009
Rhizome/MyZone: the production of subjectivity in dance
K Vincs
Deakin University, 2001
112001
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Articles 1–20