| Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud MK Koszolko Journal on the Art of Record Production 10, 1-23, 2015 | 24 | 2015 |
| Techno Studies: Ästhetik und Geschichte Elektronischer Tanzmusik T Kaul b-books, 2016 | 12 | 2016 |
| An agenda for creative practice in the new mobilities paradigm K Barry, J Southern, T Baxter, S Blondin, C Booker, J Bowstead, C Butler, ... Mobilities 18 (3), 349-373, 2023 | 11 | 2023 |
| The tactile evolution: electronic music production and affordances of iOS apps M Koszolko Royal College of Music (KMH) & Art of Record Production, 2019 | 7 | 2019 |
| The giver: A case study of the impact of remote music collaboration software on music production process MK Koszolko IASPM Journal 7 (2), 32-40, 2017 | 6 | 2017 |
| Cloud connectivity and contemporary electronic dance music production MK Koszolko, E Montano Kinephanos, Journal of Media Studies and Popular Culture 6 (1), 60-86, 2016 | 4 | 2016 |
| The virtual studio MK Koszolko The Bloomsbury handbook of popular music, space and place 217, 2022 | 3 | 2022 |
| Performative Storytelling: The Model of Setting-Based Mobile Music Creation MK Koszolko Mobile Storytelling in an Age of Smartphones, 173-190, 2021 | 2 | 2021 |
| The impact of remote music collaboration software on collaborative music production M Koszolko RMIT University, 2017 | 1 | 2017 |
| Connecting across borders: Communication tools and group practices of remote music collaborators MK Koszolko Innovation in Music: Cultures and Contexts, 247-263, 2024 | | 2024 |
| From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment MK Koszolko, T Studley Organised Sound, 1-14, 2023 | | 2023 |
| Live sampling and improvisation in iubar project's participatory music performance MK Koszolko International Symposium on Ubiquitous Music, 2023, Ulster University 1 …, 2023 | | 2023 |
| Ngannelong / Hanging Rock MK Koszolko Sightlines Journal, 2023 | | 2023 |
| The Digital Musician (Andrew Hugill) M Koszolko Dancecult: Journal of Electronic Dance Music Culture 6 (2), 73-75, 2014 | | 2014 |
| Freedom, What For?-Exploration of QR codes as a way of incorporating interactivity in a music video M Koszolko Rage, 2012 | | 2012 |
| The Digital Musician M Koszolko | | |
Max SchleserSwinburne University of TechnologyVerified email at swin.edu.au
