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Martin K. Koszolko
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Cited by
Year
Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud
MK Koszolko
Journal on the Art of Record Production 10, 1-23, 2015
232015
An agenda for creative practice in the new mobilities paradigm
K Barry, J Southern, T Baxter, S Blondin, C Booker, J Bowstead, C Butler, ...
Mobilities 18 (3), 349-373, 2023
102023
An Introduction to Music Technology, (Dan Hosken)
MK Koszolko
Dancecult: Journal of Electronic Dance Music Culture 9 (1), 96-98, 2017
102017
The tactile evolution: electronic music production and affordances of iOS apps
M Koszolko
Royal College of Music (KMH) & Art of Record Production, 2019
62019
The giver: A case study of the impact of remote music collaboration software on music production process
MK Koszolko
IASPM Journal 7 (2), 32-40, 2017
52017
Cloud connectivity and contemporary electronic dance music production
MK Koszolko, E Montano
Kinephanos: Journal of Media Studies and Popular Culture 6 (1), 60-86, 2016
32016
The virtual studio
MK Koszolko
The Bloomsbury Handbook of Popular Music, Space and Place, 217, 2022
22022
Performative Storytelling: The Model of Setting-Based Mobile Music Creation
MK Koszolko
Mobile Storytelling in an Age of Smartphones, 173-190, 2021
22021
The impact of remote music collaboration software on collaborative music production
M Koszolko
RMIT University, 2017
12017
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment
MK Koszolko, T Studley
Organised Sound, 1-14, 2023
2023
Live sampling and improvisation in iubar project's participatory music performance
MK Koszolko
International Symposium on Ubiquitous Music, 2023, Ulster University 1 …, 2023
2023
Ngannelong / Hanging Rock
MK Koszolko
Sightlines Journal, 2023
2023
Freedom, What For?-Exploration of QR codes as a way of incorporating interactivity in a music video
M Koszolko
Rage, 2012
2012
The Digital Musician
M Koszolko
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Articles 1–14