| William Faulkner in the media ecology S Gleeson-White, R Godden, R Jackson, D Kartiganer, CG Kodat, P Lurie, ... LSU Press, 2015 | 7 | 2015 |
| William Faulkner in Hollywood: screenwriting for the studios S Solomon University of Georgia Press, 2017 | 5 | 2017 |
| Intermediality in Brazilian Cinema: The Case of Tropicália (edited dossier) S Solomon, L Nagib Screen 60 (1), 2019 | 2 | 2019 |
| Of mechanisms and machines: Brazil's new new cinema S Solomon Senses of cinema, 2019 | 1 | 2019 |
| Intermediality in Brazilian cinema: the case of Tropicália Introduction L Nagib, S Solomon Screen 60 (1), 122-127, 2019 | 1 | 2019 |
| Tropicália and beyond: dialogues in Brazilian film history S Solomon Archive Books, 2017 | 1 | 2017 |
| Introduction to Tropicália and beyond: dialogues in Brazilian film history S Solomon Tropicália and beyond: dialogues in Brazilian film history, 7-31, 2017 | 1 | 2017 |
| Education, destiny and national identity in Raúl Ruiz's Manuel on the Island of Wonders S Solomon Childhood and nation in contemporary world cinema: borders and encounters …, 2017 | 1 | 2017 |
| Two ways of filming a crisis: Brazilian political cinema today S Solomon | 1 | 2016 |
| A little boy and an idea:" Two Soldiers" and" Shall Not Perish" S Solomon William Faulkner in the media ecology, 49-66, 2015 | 1 | 2015 |
| Faulkner and the masses: a Hollywood fable S Solomon Faulkner and Yoknapatawpha Conference (37th: 2010), 98-119, 2014 | 1 | 2014 |
| Barravento Novo (2017), written by Eder Santos and Bruce Yonemoto, dirs. S Solomon Asian Diasporic Visual Cultures and the Americas 6 (1-2), 191-194, 2020 | | 2020 |
| Michelle Langford, Allegory in Iranian Cinema: The Aesthetics and Poetry of Resistance S Solomon Affirmations: of the modern 7, 2020 | | 2020 |
| Frames, Gutters and the Mouth of Garbage: Comic Books and Cinema Marginal S Solomon Towards an Intermedial History of Brazilian Cinema, 2020 | | 2020 |
| Intermediality in Brazilian cinema: the case of Tropicália L Nagib, S Solomon Oxford Academic 60 (1), 2019 | | 2019 |
| ‘The cloak of technicolor’: intermedial colour in Antônio das Mortes S Solomon Screen 60 (1), 137-147, 2019 | | 2019 |
| Sobre máquinas y mecanismos: El nuevo Nuevo Cine brasileño S Solomon Revista Icónica, 2018 | | 2018 |
| The imitation game: Jean Eustache's My Little Loves S Solomon Senses of cinema, 2018 | | 2018 |
| Self-portrait of an exquisite corpus: an interview with Jo „o Pedro Rodrigues (part one) S Solomon | | 2018 |
| Fruit of Paradise (Věra Chytilová, 1969) S Solomon Senses of cinema, 2018 | | 2018 |
