| Animated music notation on the iPad A Wyatt, C Hope, L Vickery, S James ICMC, 2013 | 22 | 2013 |
| Digital adaptions of the scores for Cage Variations I, II and III L Vickery, C Hope, S James International Computer Music Association, 2012 | 14 | 2012 |
| Spectromorphology and Spatiomorphology of Sound Shapes: audio-rate AEP and DBAP panning of spectra S James International Computer Music Association, 2015 | 13 | 2015 |
| Establishing connectivity between the existing networked music notation packages Quintet. net, Decibel ScorePlayer and MaxScore S James, C Hope, LR Vickery Dr, A Wyatt, B Carey, X Fu, G Hajdu Universidade da Coruña, 2017 | 12 | 2017 |
| Developing a flexible and expressive realtime polyphonic wave terrain synthesis instrument based on a visual and multidimensional methodology SG James Edith Cowan University, 2005 | 12 | 2005 |
| 2D and 3D timbral spatialisation: spatial motion, immersiveness, and notions of space S James, C Hope ICMC, 2013 | 11 | 2013 |
| A multi-point 2D interface: Audio-rate signals for controlling complex multi-parametric sound synthesis S James New Interfaces for Musical Expression, 2016 | 8 | 2016 |
| Spectromorphology and Spatiomorphology: Wave Terrain Synthesis as a framework for controlling Timbre Spatialisation in the frequency domain S James | 7 | 2015 |
| New digital interactions with John Cage's Variations IV, V and VI C Hope, S James, L Vickery Australasian Computer Music Association (ACMC), 2012 | 7 | 2012 |
| Expanded percussion notation in recent works by Cat Hope, Stuart James and Lindsay Vickery L Vickery, L Devenish, S James, C Hope Contemporary Music Review 36 (1-2), 15-35, 2017 | 6 | 2017 |
| From autonomous to performative control of timbral spatialisation S James Australasian Computer Music Association, 2012 | 6 | 2012 |
| Multidimensional data sets: Traversing sound synthesis, sound sculpture, and scored composition S James, C Hope The Australasian Computer Music Association, 2011 | 5 | 2011 |
| Representations of Decay in the Works of Cat Hope S James, L Vickery Tempo 73 (287), 18-32, 2019 | 4 | 2019 |
| A classification of multi-point spectral sound shapes S James Proceedings of the Sonic Environments Conference, Brisbane, Australia, 57-64, 2016 | 4 | 2016 |
| Decibel ScorePlayer App A Wyatt, S James, L Vickery, C Hope Apple iTunes, 2013 | 4 | 2013 |
| Unlocking the decibel scoreplayer A Wyatt, L Vickery, S James Monash University, 2019 | 3 | 2019 |
| The Last Days of Reality C Hope, A Wyatt, S James, T Parr, L Devenish, L Marchetti | 3 | 2018 |
| Possibilities for Dynamical Wave Terrain Synthesis S James Converging Technologies, Proceedings of the Australasian Computer Music …, 2003 | 3 | 2003 |
| The Canvas Mode: Rapid Prototyping For The Decibel Scoreplayer A Wyatt, L Vickery, S James, P Arts Proceedings of the Australasian Computer Music Conference, 99-108, 2018 | 2 | 2018 |
| Headline grabs for music: The development of the iPad score generator for'Loaded (NSFW).'. C Hope, S James, A Wyatt NIME, 375-376, 2016 | 2 | 2016 |
