| Consuming music in the digital age: Technologies, roles and everyday life R Nowak Springer, 2016 | 145 | 2016 |
| Analysing everyday sound environments: The space, time and corporality of musical listening R Nowak, A Bennett Cultural Sociology 8 (4), 426-442, 2014 | 56 | 2014 |
| The sound of music heritage: curating popular music in music museums and exhibitions S Baker, L Istvandity, R Nowak International Journal of Heritage Studies 22 (1), 70-81, 2016 | 55 | 2016 |
| Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions S Baker, L Istvandity, R Nowak Museum Management and Curatorship 31 (4), 369-385, 2016 | 47 | 2016 |
| When is a discovery? The affective dimensions of discovery in music consumption R Nowak Popular Communication 14 (3), 137-145, 2016 | 43 | 2016 |
| Friendships with benefits? Examining the role of friendship in semi-structured interviews within music research R Nowak, J Haynes International Journal of Social Research Methodology, 1-13, 2018 | 42 | 2018 |
| “Vaporwave is (not) a critique of capitalism”: Genre work in an online music scene R Nowak, A Whelan Open Cultural Studies 2 (1), 451-462, 2018 | 40 | 2018 |
| Investigating the interactions between individuals and music technologies within contemporary modes of music consumption R Nowak First Monday, 2014 | 32 | 2014 |
| Curating pop: Exhibiting popular music in the museum S Baker, L Istvandity, R Nowak Bloomsbury Publishing USA, 2019 | 29 | 2019 |
| Networked music cultures: Contemporary approaches, emerging issues R Nowak, A Whelan Springer, 2016 | 26 | 2016 |
| A cultural justice approach to popular music heritage in deindustrialising cities Z Cantillon, S Baker, R Nowak International Journal of Heritage Studies 27 (1), 73-89, 2021 | 25 | 2021 |
| Consommer la musique à l’ère du numérique: vers une analyse des environnements sonores R Nowak Volume!. La revue des musiques populaires, 227-228, 2013 | 21 | 2013 |
| Tastes of our time: analysing age cohort effects in the contemporary distribution of music tastes H Glevarec, R Nowak, D Mahut Cultural Trends 29 (3), 182-198, 2020 | 20 | 2020 |
| Understanding everyday uses of music technologies in the digital age R Nowak Mediated youth cultures: The Internet, belonging and new cultural …, 2014 | 19 | 2014 |
| Music listening activities in the digital age: An act of cultural participation through adequate music R Nowak Leonardo Music Journal 26, 20-23, 2016 | 17 | 2016 |
| The multiplicity of iPod cultures in everyday life: uncovering the performative hybridity of the iconic object R Nowak Journal for Cultural Research 20 (2), 189-203, 2016 | 17 | 2016 |
| Music consumption and technological eclecticism: investigating generation Y’s adoption and uses of music technologies R Nowak, A Bennett Young 28 (4), 347-362, 2020 | 13 | 2020 |
| On the 15-year anniversary of Napster-Digital music as boundary object R Nowak, A Whelan First Monday, 2014 | 12 | 2014 |
| “It’s like lifting the power”: Powerlifting, digital gendered subjectivities, and the politics of multiplicity E Nichols, A Pavlidis, R Nowak Leisure Sciences 46 (3), 254-273, 2024 | 11 | 2024 |
| We were never cool: Investigating knowledge production and discourses of cool in the sociology of music J Haynes, R Nowak The British journal of sociology 72 (2), 448-462, 2021 | 10 | 2021 |
Sarah BakerProfessor in Cultural Sociology, Griffith UniversityVerified email at griffith.edu.au
